Input: get fixed and what that might cost. What kind of favor could we give her? I mean, what kind of favor would she want, I guess? That's for her to answer. She would want whatever was fair, plus 50%. We could-- 15 or 50? 50. Fuck. We could wrap up her statue in little bow and that could be our favor. The bow? The statue she gave us? Yeah. Just like we had it, and it was great, and we're giving you it back because it's amazing. I'll also point out, before we get into this, that I have a surprisingly large amount of missing time that-- that involves me specifically in her house, which I will admit, kind of been fucking worrying me. It's been nice being away from it, but we are going right back into that shit. Missing time? Elaborate. Tried to talk about it last time. Enhance! I have one job on this ship! It's stupid! But I'm going to do it! My memory's been a little fucked and I was going to ask later tonight, maybe, if you would be willing to go back in again and take a look around. Clearly, there's some shit missing. And it's not... pretty. Okay. I-- I say there's no hurt in just telling her we have a need and we'd be curious to know what it would cost, but that's it. All right. That would be absolutely fucking it. Nothing else. I'm ready to do this one? Yeah. Okay. I will send a message to Jiana Hexum. Woo hoo hoo! Ooh, you? Yes! Yes! You? You? Yeah, she likes him! Well... You, you, you! Okay. That's-- I'm a little uncomfortable with that, but fine. Shit! Hey, lady. Elias here. Wow, that was a big waste. Okay, Kaelen. Nadia has a friend who died. We're proud that he has a friend. Can you help bring her back? Can you help bring her back? ¿Quanto costa? That'll do. "Sweet little metal boy." Yeah. Well, that's a big waste. I felt every word of that. "What you ask is extremely difficult, "and against the nature of fate. "Maybe." Yep. That tracks. I'll send another message back. Oh boy. I have a feeling I know what she's going to want in return. I already am fucking thinking it. She's going to want that statue back. Creepy lady. What would it cost us, or what would you want in return? Or what would you want in return? And, yep. Nadia's very motivated, and I'm eager to please! Fucking-- "I certainly have a few ideas." "Let's discuss, perhaps, over tea. "What's the rush?" Thanks for wasting our spell, bitch. Why would you say that? Oh god! Well, it's always best to, when you're calling customer service, you don't want to lead with anger or demands. You want be like, "Hey, how's your day? "How you doing?" This isn't customer

Output:
- The group discussed a potential favor involving a statue and a 50% cost, though they eventually decided to simply ask what the cost would be.
- Derek revealed that he had missing time involving the "Creepy lady" and was worried about his memory, asking the group to help investigate his house again.
- Marcus volunteered to send a message to Jiana Hexum to bring back a dead friend named Elias, despite the group's hesitation and confusion.
- The party contacted the entity, who stated that the request was extremely difficult and against the nature of fate, suggesting a meeting over tea.
- Maeve expressed frustration about the wasted spell, while Marcus attempted to advise the group on customer service etiquette during the interaction.
- The group acknowledged that the entity likely wanted the statue back in return for the favor.


Input: That is a buffet. To me it's not a buffet. If you have to ask the guy to come over, and then you order more stuff. Yeah, but then you go over to the vegetable section, you get your own vegetables. That's not a buffet. That is a buffet. That's a salad bar. Yeah. Oh! That's a fucking salad. That's a self serve salad bar. Yeah. Okay. Yeah, I'd say 'cause buffet to me is truly like everything is you can go up and get it. Yeah. Yeah. Yeah. So I feel like when there's a block and you have to call someone over and be like, "Can I have more meat?" That's how you get the fresh one. But you can also like go up to like the chef at the buffet and be like, "Can you get me the fresher one?" Depending at the buffet, I know the Las Vegas ones had that. Yeah, Vegas you can do that. There's some really weird buffets in Japan though. I went to one near the At the Switch Buffet? A company has buffet. It's like an American chain or something. American chain, here? It's apparently supposed to be an American dining chain. Sizzler? Sizzler? Was the one? Sizzler in Japan has like the famous salad buffet bar. Yeah, and it was the most. There's sizzlers in Japan? Yeah there's Sizzlers in. Oh my God! I think I went to one in Tokyo stadium or Edabashi stadium. The one near Edabashi. Right? It's like a stage, the massive stadium the park. Tokyo Dome? Tokyo Dome. That's it. Yeah. There was one in there. Was it Sizzler? Or some form of chain. A Bubba Gumps? I don't know, it wasn't Bubba Gumps. I went to it and I was like, "All right, what's gonna be on the buffet?" It was the weirdest selection of stuff you can imagine. Right. The dessert was like first in the buffet as well. So it was like ice cream, and like French toast but this was like 5:00 PM. What do you mean first in the buffet? When you get your tray and stuff, the dessert was there first. Oh weird. And then I was like, "Okay." And the next tray is like, self service taco station, but there was no sauce or guac. So it was just like beef. This is beef wrapped up on. On the tortilla. Yeah, yeah. Tortilla pack. Both of those. Mexicans crying. It was just beef and the tortilla. Yeah. There you go. I was like, "Okay. Yeah. This makes sense." Next up it's like, pasta, Italian pasta. And it was like, "I don't know what this pasta was." It didn't taste like anything. It tastes like a weird Arabiatta, it was really strange. And then in the middle there was like a bunch of salad, but the salad was strange as well. There was like barely any lettuce. There was like chopped oranges, like a bunch of croutons and stuff. I was like, "What is this?" Is this in the hotel? Yeah. Next to it. At the hotel buffet? No, it wasn't a part of the hotel. 'Cause Tokyo Dome Hotel also has buffets.

Output:
* The speakers debated the definition of a buffet versus a salad bar, concluding that a true buffet allows self-service for all items without waiting for staff.
* One participant recalled visiting a strange American chain restaurant, likely Sizzler, located near the Tokyo Dome in Japan.
* They described the layout of this buffet as unusual, with dessert items like ice cream and French toast appearing before the main courses at 5:00 PM.
* The taco station was criticized for lacking sauce and guacamole, serving only beef wrapped in tortillas.
* The pasta course was described as flavorless and resembling a strange Arabiatta, while the salad section contained chopped oranges and croutons instead of lettuce.
* The speakers confirmed that this specific restaurant was not part of the Tokyo Dome Hotel, despite the hotel having its own buffets.


Input: me. I'm just like, "What the fuck are you saying?" - Yeah. - I'm like nodding, nodding, all right. This is getting is a little excessive. - In your head it's like, "This is food. This is also food. This is a food." (laughs) - I think you eat it or take like half a bite, and then tell them, "What is this that I just ate?" And then they, that's better. Like if they have time to explain. - But like usually what they do is they bring all the food out right. And then they explain it and then they just fuck off. So you don't even have enough time unless you're eating it as they're explaining it, right? - And then you're just like, "Come back please, I need to know." - come over here, I want to try. - I am formulating a review. (laughs) - I took a picture and I have to leaves notes next to it. - I'm a local expert I'll have you know. (laughs) - Are you the local expert? Do you get that badge as well? - I think, I'm not sure. - Like I'm just so curious, how often do you have to eat somewhere new to be in the top 5%. - I have no idea. I haven't been top 5% since like 2017 or 2018. - That's worrying because you used to do quite a lot of reviews. - I think there's more now - How many reviews does it take to be in the top? - I have no idea. - It's becoming more mainstream. - Maybe. - There's a Japanese guy as well who's trying to review every single Starbucks in Japan. - Oh yeah. I know that guy. - And it's like ridiculous. - Do they taste all the same? - That's what I wonder. What can the difference be? - Yeah, that's like going to every McDonald's in Japan. - He has to probably order the same thing from each place. So otherwise it's not a good comparison. Right? - But I think they have the seasonal menus. - Yeah, now they have Starbucks Japan just released a thing where every single prefecture, has its own frappe. - Yeah. - Oh does it? - Yeah. - That's such a Japanese idea. - It's actually really cool. - It's kind of genius. - They all look super unique as well. Like none of the flavors look the same. - I went to Kyoto the other day and I had like the Kyoto frappuccino. - Yeah. - And it was like matched with like caramel and some shit and I'm like, "You're fucking up." If I can only have this here, I'll have it. - The Tokyo one sucks. - What's the Tokyo one? - It's like coffee jelly and some shit. - That is a very Tokyo thing, the coffee jelly. - Do you like jelly? - Yeah. - I think jelly is the worst dessert. It is by far the worst. - No! - Have you had Mikan jelly? - I don't give a shit. - Mikan jelly's bomb, that shit's bomb. - Why's the jelly? - Jelly is literally the dessert of peasants. - What are you talking about? What are you actually talking about? - Jelly is incorporated on all kinds of high-end meals. - It is literally the cheapest dessert. That's the cheapest one. It's the cheapest one. - How? - Someone needs to take this privilege away. - Cheap can be delicious though it doesn't have watching.

Output:
- The speakers discussed the challenges of reviewing food when servers leave quickly after explaining dishes.
- They debated the criteria for reaching the top 5% on review platforms, noting it has become more mainstream.
- A conversation occurred about a Japanese man reviewing every Starbucks and the unique seasonal frappes released for each prefecture.
- The group compared the Kyoto frappuccino, which they enjoyed, to the Tokyo version featuring coffee jelly, which they found lacking.
- They engaged in a heated argument about whether jelly is the worst dessert or a cheap but valid part of high-end meals.
- One speaker dismissed Mikan jelly entirely, while another insisted it was excellent, highlighting their differing tastes.


Input:
deep-- Silas: Just toss it in.
uh, 10-foot hole across in the ground.
Gwen: What is in that hole right now?
Derek: Have we cleaned it?
uh, no.
Silas: We cleaned it.
watching.
A terrible stench begins to emerge from the inside of this pit.
Silas: There's a lot-- ROBBIE: I think-- These were special order, are you--
Gwen: No, don't put it in with the decomposing bodies.
Silas: Fine, we'll clean it later.
Borlan: What, are you turned off by our deep, dark hole?
ROBBIE and Aria: (laugh)
Derek: We should-- ROBBIE: It's not my favorite.
Derek: Can we at least get all the dead bodies out of it?
Silas: I would love to do that if we have a second.
ROBBIE: You know what? I'll just hold it.
Silas: We just keep moving around.
ROBBIE: I'll just hold it. (laughter)
Silas: If we had five seconds to clear the dead bodies out of this.
Borlan: This is a bag of holding.
Silas: Actually, I would love-- It's far, far more--
Silas: We've got a bunch of dead Ruidus--
Borlan: It actually has a nice lavender scent that comes out of there.
ROBBIE: So many sacks and holes.
Silas: -- chunks of off-planet people in here, we should probably unload right now.
Derek: We do. Hey, Tofor.
Gwen: Yeah, yeah, let's just pull--
Derek: Tofor, look! As we start throwing--
Silas: Grab me some leather, some silks.
Derek: -- alien body parts out of the hole.
DM: You see Tofor emerge--
Silas: I'm going to write down merch we need.
DM: -- from the tent.
Silas: Just run around, force them to give you all that shit, it's cheap.
ROBBIE: Got it.
DM: "What do you need from--"
ROBBIE: Scampering.
DM: "Dear god, what is this?"
Silas: Clothing shit.
Gwen: Remnants of our mission.
Borlan: You got magic to clean up and disinfect and--
Marcus: Little bit of wet work was done.
Borlan: -- wipe memory. Yeah.
DM: Other guards start looking, getting close and looking--
Silas: Oh god, do I need to pull up the list?
Gwen: I know it's not pleasant.
DM: Tofor's like, "We will take this for research."
Silas: Don't pretend you've never smelled anything like that before.
Borlan: We should actually keep one or two limbs. They've come in handy.
Derek: That is true.
Borlan: Right?
Derek: We will keep a limb or two.
Silas: We got some juggernaut chunks.
Borlan: Can you Saran wrap some of these bitches to go?
Silas: Do you want the head or the limb? We've got some juggernaut--
ROBBIE: I come back with your stuff: Got it! Throw it straight into the hole. (laughter)
Silas: Do I look like I care? (laughter)
ROBBIE: Yeah, good point.
Silas: Yeah, we've got a bunch of juggernaut pieces. I mean, yeah.
Borlan: You got to keep a calf.
Marcus: If you're going to keep a couple limbs though, don't leave them in the hole because that turns into soup. Put it into the bag of holding because that's like a video game inventory and everything gets sectioned off separately.
Gwen: No, it still decays.
Borlan: The bag of colding kept it fresh. The bag of holding still soups.
Gwen: Remember Dork?
Borlan: You're right. The hole is like--
Marcus: But it keeps items separate from each other.
Silas: That's true.
Gwen: Oh, that's true. It doesn't make everything stinky.
Silas: It didn't infect everything else.
Marcus: So, right. You're not--
Borlan: It comes out as a--
Marcus: -- going to get gangrene on a healing potion.
Silas: This should mostly be

Output:
- The group discussed cleaning a 10-foot hole filled with a terrible stench and decomposing bodies, including chunks of off-planet people and juggernaut pieces.
- Silas requested leather and silks to prepare for an interaction with Tofor, who emerged from a tent to take the remains for research.
- Borlan suggested keeping one or two limbs for their utility, while Marcus advised using a bag of holding to prevent the items from turning into soup or causing infection.
- The team debated the decay properties of the bag of holding versus the hole, noting that the hole caused items to spoil while the bag kept them separate.
- Robbie returned with supplies to throw the remaining pieces into the hole, though the group agreed to keep specific limbs in the bag of holding.
- The conversation concluded with a consensus that the bag of holding would prevent the items from spreading gangrene or smelling like the hole.


Input: anyway, Sarah is-- Marcus: (like Cedric) Sarah. Maeve: Sarah is-- I refuse to acknowledge you guys. Is a special case, a unique case, and there are people who have experience around that. I don't know, um, I mean, I've seen people brought back from the brink a few times, but I don't think that she's going to follow the same path, if at all. Maeve: Oh god, so we can't just find someone who-- Cedric: Maybe, but-- Derek: We're going to. Cedric: She's got a really complicated story. Dorian: Yep. Cedric: But-- I'm tired of leaving people behind, so we'll figure it out. Derek: If I can be brought back, anybody can. Dorian: What'd they use for you? A normal ritual, or rite, or ceremony, or? Derek: No, it was a lot, and it was weird, but honestly, I couldn't tell you because I kind of wasn't there. Dorian: Oh, right. Marcus: You were dead-dead? Derek: That's what they tell me. Close enough to it. Dorian: That makes sense. Derek: I mean, this is a lot. Marcus: It's massive. Derek: Yeah. Marcus: Again, I don't want to be insensitive or anything, but besides the orb that you just snatched, is there anything else that we need from her? Maeve: I didn't talk to Borlan. Marcus: Well, she's got a rod. Cedric: Maybe we could reach her via text. Marcus: She's got some sort of blood thing. Dorian: We'll wait until the break. Maeve: Yeah. Derek: I was trying to wait. That way you can recommend. DM: Yeah. Cedric: Just leave it in the hole. DM: Not my responsibility. Derek: Trying to give you a minute before practicality sets in. Aria: Nadia, I remember there were moments where you were saying, I think, we should get her to Hexum? What were your thoughts on that? Derek: My thoughts were that Hexum is well connected, has money, and is immoral. Dorian: That's true, it's a good idea for us to get a list of potential places that might help her. Derek: She's also always willing to make a deal. It's not necessarily a good deal, but it is a deal. Dorian: Yeah, we're okay on debt. So Eshteross, option. Hexum, option. What's the third? Maeve: Your guy, option. Dorian: My guy? Oh, Ajit Dayal? Maeve: Uh-huh. Dorian: He seems like an educator. I think he's more about your stuff. Derek: Your people, option. Dorian: Get you into the books and stuff. Because you seem to be, you know, a special case. Sorry. Maeve: Maybe I could try to talk to... Sarah's... Delilah, and see if she knows how to do it. Can I talk to her? Aria: I think that's a good idea. Derek: Huh. Maeve: Maybe. Dorian: I'm sure that is entirely without risk, and valid. Cedric: First. Aria: I mean, she brought her back to life, so she's got to have a lot of good qualities about her. Marcus: Seems like a good person. Cedric: I mean, she's dead. Dorian: Who? Marcus: Delilah. Cedric: Delilah Briarwood. First off, she's dead. Aria: You know this? Maeve: She talked to Sarah all the time. Aria: Are we talking above board right now? Maeve: She was constantly in her head, so she's not dead. Cedric: I get that. I didn't say she was gone. Have you talked to the dead before? Maeve: I've talked to Delilah. Cedric: Well then, it's not a question. Dorian: You talked to her. He knows of her. Aria: Delilah is dead. Dorian: According to Lyra. Aria: Okay. Derek: Lyra seems to know. Marcus: We could still reach out, see

Output:
* The group discussed the unique case of Sarah and debated whether she would follow a similar path to those previously brought back.
* Derek revealed that he was brought back through a weird ritual rather than a normal ceremony, though he couldn't recall the specifics.
* The party considered various options to help Sarah, including contacting Hexum, Eshteross, or an educator named Ajit Dayal.
* Maeve proposed speaking to Delilah, claiming she could communicate with her despite her being dead.
* Cedric and Marcus clarified that Delilah Briarwood is dead, but Maeve insisted she is currently in Sarah's head.
* The group decided to reach out to Lyra to confirm the status of Delilah and explore further options.


Input: shit. That's 11 points of bludgeoning damage plus eight points of piercing damage as it carves into you. I'm going to use Hellish Rebuke on him. Go for it. Yeah, you still don't have any stupid arms, stupid! uh, you are also grappled, as the tentacle wraps around you and begins to squeeze and hold you in place. thank you. The teeth and the thorns that are coming out of the side of its tentacle jamming into your body. Is it a constitution save for Hellish Rebuke? Hellish Rebuke is a 2nd-level. I really wish it gave more information about what-- It will certainly be fixed, because D&D Beyond is a responsive company and we love them. It doesn't say anywhere what Hellish Rebuke-- oh there it is! Dexterity save! There we go. That is going to be a nine. That means I get 3d10. 3d10 damage to it. Yes! Rock that shit. Goodnight Irene, let's go. 12. 12 points of damage. Nice. There's a burst of icy shards and blades that explode out of Dorian into the tentacle and along the side of its body as it pulls back in place, swinging its other tentacle out behind it towards Clara. How much damage did you say I just took, though? Because I was busy. 19 points of damage. 11 plus eight. With disadvantage, because you have defense. Even with a disadvantage, that is 18. Fuck! Yeah. You suffer five points of bludgeoning damage, plus three points of piercing, so eight total, and you are also grappled. All of the male players are 40 feet back, and all the women are right in there. Now you are poisoned and grappled. The two side tentacles, and there's the one large tentacle on top which, now that you have a closer look, has three vertical eyes in it that are glancing around and looking at the space. The two are wrapped around two of your allies as Kaelen's dealing with the poison wracking through her veins. That's going to end its turn. Derek, you're up. I am very aware of how many people are in this arena, especially high-powered ones, as I wrap one hand around my forearm and I cast Scorching Clara even though I feel nauseous, and off they go. Go for it. Because it attacked Clara, you could use your reaction to attack it back with your Sentinel feat. You have Sentinel also? Yeah. They both do. You have that. I'll let you do it now if you wanted to, if you want to take it. Fuck yes. Yes. If you feel like attacking. You have disadvantage on the attack, unfortunately. 26, ten, 16. The first and the last one hit. Natural 20. 13. 13 just misses. You swing, and as you're about to hit with the blade, the poison pulses through your veins, and you go wide as the creature manages to be out of range. How much damage is that? 15 points of fire damage. Both rays slam into it and the flames burst up, and you hear (pained gurgling), trying to pull back from the impact, but it's currently by the wall, and it's holding onto your friends and holding its ground. I'll take a step five feet that way and as I do so I look over at Gwen and just-- and that's the end of my turn. Big nope.

Output:
*   Fiona cast Hellish Rebuke against the tentacled creature after taking significant bludgeoning and piercing damage.
*   The DM ruled that Fiona was grappled and poisoned, with the creature's tentacles wrapping around her allies.
*   Derek and Gwen reacted to the situation, with Gwen expressing frustration over the damage taken.
*   Aria cast Scorching Clara as a reaction to the creature attacking Clara, utilizing her Sentinel feat.
*   Gideon attempted an attack with disadvantage but missed, while Aria's spell dealt fire damage to the creature.
*   The creature remained grappled and by the wall, holding its allies in place as the turn ended.


Input: boy. As he floats there, and you all feel it, too, both of you feel this like, uh, this weird pressure pushed back on your mind. As the blast of it comes through you and you recognize another node of that network has come online. As the boy stands there, the Willmaster just, without even glancing at him, just points forward. It's still their turn. Most of them ran. The newly Exalted Vanguard newcomer is going to use Telekinesis. Julian: Oh wow, he upgraded. DM: I need you to go to make a strength check for me, Maeve. Lyra: Oh! Oh. um, uncertain noises. Sarah: You can do that. Lyra: No. Sarah: Guidance. Lyra: Really? Sarah: No. Derek: No. (laughter) Kaelen: Oh, that works. Lyra: 10. DM: 10? Lyra: Yep. Derek: Oh boy. Sarah: Yikes. Lyra: Yeah, it's not zero. DM: You get lifted and you are pulled up and you are currently now held aloft in the middle of the air just above the headroom of the center of this chamber. Gideon: Yeah, Maeve going beast mode! Show them! Sarah: Is this your form of dread? Lyra: (panicky) It's not me, it's not me. DM: And is going to hold you there, grappled, and going to start drifting back, uh, this way and backward. Finishing their go, that brings us to Elara, with Clara on deck. Gideon: Amazing! Can I use 25 of my feet so I can come up near the table in between Silas and the table, get a visual on the Willmaster. DM: Yes. Gideon: Can I, with my bonus action, cast Blood Curse of Binding? DM: Sure. Gideon: It is a DC strength saving throw. DM: Natural 17. Gideon: He saves. DM: Sorry. Gideon: She! Sorry. Julian: Oh. DM: She saves, yeah. Gideon: That's okay. With my action, I'm going to take Turmoil and I'm going to cast Shatter. DM: Ooh. Gideon: On the Willmaster. DM: You got it. Natural one. (collective "Mm" of approval) Gideon: Oh! Beautiful. Oh, we pull out a Sha-Shatter. Great, 48. Sarah: There's a whole caravan of these fuckers. Derek: Do we go outside or do we-- Julian: They might be traders. Derek: Do we go outside or do we-- Gideon: Traitors? Yeah, they're traitors. Derek: Trying to hold up. Sarah: (laughs) Gideon: 14. Oh! 28... Kaelen: Fiona doesn't feel like they have a read on the situation at all. Derek: No, I really don't. Sarah: That's good. Gideon: 28 points of thunder damage. DM: Ooh, ooh. Derek: Oh boy. DM: Ooh. Gideon: Big roll. Lyra: We're being very loud about this. Derek: We're being very loud about this. DM: (explodes) This massive secondary detonation-- Derek: Oh boy. DM: -- blasts the air with concussive energy that ends up cracking the ground beneath where the Willmaster stands, and it echoes off, through the valley of nearby mountain tops. Like, quieter explosions. Sarah: Oh no. Gideon: If I had it right, it's a 10-foot sphere. Kaelen: hard to hide in the caravan. Gideon: So could I also hit the-- DM: Oh right, yeah, next to him. Gideon: Yeah. DM: Yeah, that would actually get the other, of the Shrike to the side. Derek: Fast Friends-- DM: Which is a 13. Gideon: All right. DM: So. Gideon: Doesn't save, con 14. DM: Yeah. Lyra: Just want to suck the magic out of the Willmaster. That's all I want, though. Sarah: (laughs) Derek: Working on it. Gideon: With the last 20 feet of my movement, can I slide behind Clara? DM: Yeah. Gideon: Just out of the

Output:
*   The group experienced a psychic pressure as a network node came online, prompting the Willmaster to point forward.
*   Maeve was lifted into the air by the Willmaster and held grappled while Lyra attempted a strength check.
*   Gideon moved to cast Blood Curse of Binding on the Willmaster, which failed the saving throw, followed by a successful Shatter spell that dealt 28 points of thunder damage.
*   The explosion cracked the ground and echoed through the valley, affecting the nearby caravan and the Shrike creature.
*   Gideon attempted to slide behind Clara using remaining movement while Lyra expressed a desire to drain magic from the Willmaster.


Input: okay I'll allow it I've allowed you to exist we uh we have this uh we have this cat in my house in England uh yeah I remember yeah that's not our cat it's our neighbor's cats oh okay but it's really our cat okay it's a Street's cat we don't know what her name is uh for some reason Sydney's Sydney uh named her Scarlet Joe and then that name just stuck because whenever she shouts it the cat just comes running so I don't know what your cat's name is uh sorry uh Mrs neighbor but uh it's Scarlet Joe now um and this is appropriators in there yeah this she she she's too [ __ ] smart man because she knows okay here's the thing right we we're we're simple creatures we just want to give them pets yeah give them love right they they're cats we just want to give them pets and give them love um Scarlet Joe knows the exact right amount of pets that she's willing to give before like saying no no more pets you're not allowed anymore right and then and then she knows that we [ __ ] crave it so like anytime anytime anytime we look like we're like you know a bit more disinterested than usual she goes now have a pet and we're like [ __ ] are you are you giving me a pet and she get and she just lets us pet her and she goes all right enough I'm like [ __ ] I want to pay you more now I want to bet you more dude she is in full control [ __ ] I I'm not the the worst thing is I know she is but I can't stop it okay okay if she if she wants pets I'm going to give it to her and God [ __ ] damn it like it's just I'm telling you man like two cute animals are just like they just get the pass she's an evil [ __ ] being that's that's she's evil man she she's a manipulative evil [ __ ] being I believe it and you know what but I love her I'm this close to [ __ ] abducting her from our neighbors man who needs to she was coming to you yes yeah exactly she is when when she knows when when uh when we haven't been uh when we've come back from like a long trip from like Japan or something like that the first day every first day she's always like so loving so everything we feel loved we feel like we're back over then every other day after that she just goes back to normal all right you've had your time now I'm just gonna I'm just gonna sit here and just judge you I don't want to give you too much sir yeah yeah no no more serotonin for you sir oh man what was your cat like when you grew up because you yeah I had a few cats um a few yeah wow yeah we had well when I was born we had two um but like my my parents had three the whole time uh Pocky and little guy um it was it was weird because it's like when you have two cats living in the same house it you really see the personality differences right right because like when you just see a cat by itself it's like okay you know you can discern maybe some like personality traits of the watching

Output:
- The speaker discussed a neighbor's cat named Scarlet Joe, which was originally named by a person named Sydney, and described the cat as being highly manipulative and smart.
- The speaker explained that the cat controls the interaction by only allowing pets when the owners appear disinterested, creating a cycle of craving and affection.
- The speaker expressed a desire to abduct the cat from the neighbors, noting that the cat only shows extreme affection after the owners return from trips like one to Japan.
- The speaker mentioned having owned cats named Pocky and a little guy during their childhood, alongside their parents' cats.
- The conversation shifted to analyzing personality differences between cats when multiple animals live in the same household versus alone.


Input: that ring and wore it? That way we have an orb that would find you. We left it. Clara: We didn't get it because it was very expensive. Elias: We didn't buy the ring. Maeve: No, because he might go back and try to purchase it and we thought maybe we would be able to... If he comes into money, he might. I mean, it is very dear to him. Elias: Sure. Never mind. Erika: Okay. I'll join you on your walkabout. Cedric: If we catch him, I want to go back and get that ring. Elias: Sure. Erika: Okay. All right, so the four of you are going on walkabout? Maeve: Yeah. Julian: Sure. All right. While the rest of you stay behind and keep watch, the other four of you continue to run a perimeter. As you do, you notice that the wall itself keeps a pentagon shape around the exterior of the fortress. A little oblong on the southern side of it and there is a second gate on the opposite side of the wall. So there are two entrances in and out that are viable from a larger presentory standpoint and they're both about 15 to 20 feet wide you'd guess at this glance. You do also see the patrols on the top occasionally switch out or at least you see one person leave and another person come up and take their place, and occasionally someone peeks out beyond one of the watch balconies that protrudes on one of the lower levels and glances around. One person out there picks their nose for a second and flicks it, then walks back inside. You do also notice above this portion of the city, there are a number of the Hellcatch vultures. The scavengers now at this high point in the day's sun are circling in the space and you can see them keeping watch for any discarded meal opportunities or any of the skittering vermin that make home here in the city. There's probably a dozen or so of them that are immediately above this vicinity slowly circling in groups. Julian: Noted. Clara: Okay. Okay. Julian: All right, so two entrances. Maeve: Yeah, I feel like we should split the party and one of us camp out at one and the other. Julian: We put one mind- talker on one side and one mind-talker on the other side. Clara: As we're walking, I'm looking for little holes or breaks in the fence anywhere that I might be able to wiggle through. Make a perception or investigation check. Elias: Come on. Maeve: Can I help her, knowing what she's looking for, keeping an eye out at the same time? Yeah, if you want to help her out with that. Maeve: I'll give you advantage. Clara: Eugh. Okay. That's a good idea. That's exactly the same. Clara: Okay. Maeve: A perception? Clara: Okay, 10. Maeve: Oof. It's a pretty solid wall. You can see there's a couple of areas here and there where visible cracks have been formed over time. Whether it be shifting in the ground beneath it, attacks on the wall that have been partially repaired or just general decay over time. But they've been patched. You do not see any specific openings that catch your attention that are immediately visible. Erika: Yeah, not to naysay or doubt you, but I don't feel good about this. I don't feel good about this. I think we all should stick together and that we should wait until there's a good opportunity.

Output:
- The group discussed their decision not to purchase a ring due to its high cost and the risk of the original owner returning to buy it later.
- The party decided to split up to conduct a perimeter walkabout around a fortress with a pentagonal wall and two gates.
- They observed the wall's structure, noticed patrols switching places, and spotted Hellcatch vultures circling above the city.
- Clara attempted to find holes in the fence while Maeve offered assistance, resulting in a joint perception check.
- The investigation revealed the wall was solid with patched cracks but no visible openings for entry.
- Erika expressed concern about the split and suggested the group stick together and wait for a better opportunity.


Input: we saw you guys in there. What the--? It was like your normal fireworks and there were two little shadows, so. What? How is that possible? They were tiny-- Fucking-- Did it look like us? Were we like, hey! Well, I mean, I-- Minuscule, but one of you had one-- It's so small. They were shapeless, but familiar. It's hard to describe. Hm. I didn't see anything. You didn't? Yes, you did. Nope, not me. You probably did. You're just too old to remember. Huh. Lyra did. I saw them. Wow. What the fuck? We're going to need to learn a lot of tricks if we want to have a prayer of handling Thull. This is good. This is a thing that we now know. This is good. We know more about what we don't know. And now-- Now, we know this is dangerous. Yeah, I don't want to go back in there anytime soon. I respect that. Felt good to be strong for a second, but-- What do you mean? Well, to be you, to have muscles and stuff. I mean, it was good to be in your head and to sort of feel that power that you have, but also real shitty. So you got all of it? Well, I mean, I don't know if it's all of it, but... it was a lot. Yeah. It's a lot all the time. It's a lot. I'm sorry. It is what it is. I'm sorry we couldn't find out more. Yeah, this is-- (sighs) Boy. This is-- Are you kidding? This is half my fucking damage. Now I've just got to figure out the shit before, and now I have the-- Do any of us know who we are? Lyra. You know who you are? You know exactly how you are? You're like this, how you got to be a wolf, how to control it, all that stuff? Yeah. I feel a round of What the Fuck is Up With That? in the near future, because I have questions about that one. You're asking about me? Y'all are the ones just head-fucking each other here. I know my story. All right. Me too. I know most of my story. I know a little bit more. Oh god, that really hurts. Oh my god, that fucking hurts. Maybe we should get some rest. I agree. We have a lot of decisions to make tomorrow. You had a bunch of stuff coming out of your nose. Still do. Take the cloth. Thank you. Oh, that's real gross. Did you-- Oh, thank you. Make sure nobody-- I am so sorry. -- came out of your nose. (laughter) Are there people in that rag? I don't see any, but you should check. Hey, it's me! (laughter) It's-a me! What are you doing? (crunches) (laughter) That's how sea monkeys move around. Oh no! I didn't find anything. Damn. Here you go. That is some weird oily goop that was coming out of there. I'll stay up. I'll pay-- I'll keep an ear out for both rooms. We are kind of, you know, in the middle of the heat. We should get some rest. Mm-hmm.

Output:
- The group discussed seeing tiny, shapeless shadows resembling themselves while investigating a location.
- Marcus revealed that possessing Derek's physical form felt powerful but also extremely unpleasant, leading to an apology for not gathering more information.
- Derek expressed frustration over the loss of damage potential and the pain caused by the recent events.
- The characters debated their identities, with Marcus questioning Lyra and Dorian, while Derek noted he knew most of his own story.
- After Dorian suffered a nosebleed, the group cleaned the wound and decided to rest, with Dorian volunteering to stay awake to watch the rooms.


Input:
hear the music kicking off of a jovial atmosphere that both reveals that of people who are blowing off some steam after a long day, a long week, and those that are blowing off steam before the coming of what's likely to be a very, very--
Wait, they do not serve alcohol here?
Oh, they do.
Yeah. Okay.
They're not supposed to serve it to clergy. But they do--
Borlan instantly coming out.
It's like, I'm fucking leaving.
Now what are you two up to inside?
♪ Bunch of bottles of beer ♪
♪ On the wall ♪
♪ Bunch of bottles of beer ♪
♪ Take one down, pass it around ♪
♪ Dozens of bottles of beer on the wall ♪
Oh!
That's right. We are getting crunk!
Man, we are showing them how it's done. Hey, hey.
Yeah?
That Dawnfather guy over there? He said he wants a bubbly.
But they're not allowed!
I know, so we got to sneak it to him--
We got to sneak it to him.
-- in a little--
Because he got to have a little bit.
But we can't hand him my mug. We got to hand him yours. That's more of a normal peep's size.
Yeah, I'll go over.
Hey, hey, hey.
I'll pour a little bit.
Hold up. Just hide with your body. Hide with your body.
Well, hide it with yours. Yours is bigger than mine.
I was just pouring it in the-- Because you give him yours!
Oh! Okay.
All right, I'm just going to go--
Straight face, straight face, straight face.
I'm just--
Yeah, go.
Is he sitting next to me?
I think so.
I'm just going to pour a little bit in.
Oh!
No one's going to see.
Make a sleight of hand check.
Oh no.
Oh, zero.
First roll, real important.
You got it.
14.
Psh!
Nobody even saw. Nobody even saw.
The hand reaches out and grabs your wrist and goes--
Ah!
I do believe I see you currently soiling my beverage.
I'm so sorry. I just thought you would want a little bit of what I have.
Yeah. Is that not--
Because--
I thought that was--
Yeah, that's what I thought.
-- your old cousin.
I thought we were related.
I'm so embarrassed.
I thought you were my cousin.
We're embarrassed.
I'm really sorry. You're a man of the cloth.
Under no circumstances does my piety allow me to partake in such lower class forms of--
Did he say he has pies?
Do you have pies? Do you have a pie in your pocket? Or are you just happy--
If you have pies--
-- to see me, sir?
I was just saying maybe you could share. I like apple pies, rhubarb pies.
Pumpkin pies.
Peanut butter pies.
Ham pies.
Lemon pies.
Chicken pies.
Turkey-- Oh! Chicken pies.
I'm going to sit over there, and he gets

Output:
- The group established a jovial atmosphere before realizing the establishment did not serve alcohol to clergy.
- Julian and Nadia decided to sneak a drink to a Dawnfather patron, planning to pass a mug between them.
- Nadia attempted a sleight of hand check to pour the drink secretly but failed the roll significantly.
- The patron physically intervened, accusing Nadia of attempting to harm the beverage.
- Nadia attempted to deflect the situation by claiming the patron was her cousin, leading to an embarrassed exchange.
- The group tried to pivot the conversation to various types of pies, but the patron ultimately decided to sit elsewhere.


Input: and claw me back from the precipice. "What do you call it? "We don't really have them here. "Vegetables." Coma? Yeah. Wow! Yeah. Wow! "It was a rough go." Does that mean that Gaz is speaking to us all? You notice now at this point, Gaz is using his jagged teeth within his thick, muscular jaw to speak to you in Common. It's an odd sight. You see, even though (like Gaz) for me I'm making the voice like this, for the fun of the narrative and the consistency of it, the words sounds strange coming out of his mouth and he's learning to still speak this way. uh, uh, (Arthur) I lean down and I whisper into Marcus's ears, "Does he do anything for you?" I mean, not really. Uh, oh, okay. No. I didn't know if it was all big muscular-- It's a specific kink. Okay, cool. Yeah. They're going to strike in the next day or so. (laughs) Well-- In Silas's mind, Julian's voice, "Are we free to speak here? You're feeling good about this?" I think so. We worked with him a bit, but I think it's safe to say if they're going to do it, they should move it up. What is your timetable? He just said a day or so. Yeah, just literally said about a day or so. Tell us your timetable! (laughter) Gaz, how did you-- His nose bleeds a little. How did you get out? I don't know. I mean, to be honest, I didn't really. (laughs) They had to drag me out. I was-- I don't remember. Yeah. Cool. Insight? Look, if we're going to be-- Just really quick. Sure. We're here to maybe fight this. Nat 20. Oh! Legitimate. Okay. Seems a fractured, blank slate in some ways. Okay. That'll do it. We're here to fight this Weave Mind, so you know, if you think you're going to blast a hole into their home or whatever, maybe we should do it now. Do it sooner. Okay. All right. No, not right now. Not right now. We have to call our friends and tell them that we're going to strike first. Yeah, tell them we're in the spot. Really, that went wrong last time. You're right, I guess I should probably not. We also should split up and go in two separate places. Yeah, but he might need to move it up by a day or so, depending on how fast we can get up close. So now? Not quite now. No, no, no. Not immediately. Up by a day or so. Not quite now. No, but maybe you can time it so that it all works out together and it'll do more damage. To what? To us telling you when to do it. Okay. Great. But not now. Okay. Yeah, yeah, yeah. Yeah. But can you be ready to set it off so that if we contact you, you can get that plan moving at speed? I'm going to go talk to Rashinna. I'm going to go. I'm going to go check in with her. Okay. Is she here? No. No. She's-- watching.

Output:
- The group discussed the strange way Gaz was speaking using his jagged teeth and learned he had been dragged out by others recently.
- Marcus rolled a natural 20 on an Insight check, confirming the Weave Mind's fractured state and the urgency of their plan.
- The party debated the timing of a strike, deciding they needed to move it up by a day or so to maximize damage.
- They agreed to split up and coordinate with their friends before attacking, rather than striking immediately.
- Gaz stated he would go check in with Rashinna and would return shortly to finalize the plan details.


Input:
and the milk and all the things that you said, or is that what you live off of? What are they interested in you producing so much of?
Supplies, probably to feed or clothe or armor. They've certainly been looking for an accelerated rate of training avidan.
Building an army. Yeah. Supplies.
Well. Should we go to sleep?
I think we can make our way further in, if this... They're coming from the gate or the...
They're coming from the city, so we stop here. Uh, thank you.
I may have misspoke. My intent was they're heading towards the city. They're heading from them. Watching.
Got it. That's on me. My brain switched it.
So we should be here to meet them. Yeah, we should-- Meet them and ride with them.
What you meant was beam to city?
Beam to city is what I meant. That's on me. No worries.
So, you're saying the traders are coming here? Yeah. From the beam. Then we can the hitch a ride with the caravan-- To the rebel base. Exactly.
Yeah. If they like us.
The caravan is with the Volition? Or they're just suppliers?
The caravan's Imperium, but my contact does often travel with the caravan, and I can't guarantee they're even with this one.
That's who they travel with on occasion to get through the city.
So, in theory, we'd be traveling with folk that are not necessarily friendly to us, but there is a potential friendly within their ranks?
That's certainly possible.
Is there any way you can get in contact with Zhesh? See where she might be?
I don't really have a means of doing so. She just occasionally wanders through.
What does Zhesh look like?
We could do Sending. That's what I would try. Mm-hmm.
She's a lithe looking Reiloran with a slightly faded purple-gray tint to her body. Her crest has a large cloven mark on the right side from some previous scuffle.
Do you have anything that belongs to her?
(Obnoxious scuffling) Oh, Jesus Christ.
Only in our show.
Yeah.
I am.
You must be fun at the theater.
I have some recovered sub glass over here, and walks over to a cabinet and reaches up and-- Okay, great. You mind?
You watch as Chu clamors with the arm and goes, Sure, yeah, I'll do whatever you ask. Don't worry, skit. Grabs it right down.
Here's your glass shard, Master.
She's just showing off because we got company. She's very sweet.
You shut up!
You've seen bits of this glass used in the landscape and some of the construction for the walls, for various structures, pillars, and some elements of it you think you may have seen in some of the chasms and stuff with landscape. But this is a piece of oddly naturally bending almost like a turquoise obsidian.
Oh! Cool. So like a blue tinged black?
Yeah. Well, a blue green coloration, but the texture and edges of it are very obsidian flake-like.
That's cool. Is it opaque? Is it clear? Can you see through it?
It's semi-opaque. You can see through it for the color, but

Output:
- The group discussed the supplies and trade caravan, realizing the traders were heading from the city to the rebel base rather than the other way around.
- Julian and the DM clarified the caravan's affiliation with the Imperium and the potential presence of a friendly contact within their ranks.
- The party sought to locate Zhesh, describing her as a lithe Reiloran with a purple-gray tint and a crested mark on her right side.
- Kaelen obtained a recovered sub glass shard from a cabinet, noting its turquoise obsidian appearance and semi-opaque texture.
- The group debated whether they could hitch a ride with the caravan to reach the rebel base safely.


Input: three Resistances per round, or three Resistances? We don't know. You don't know. uh, groaning. But he just used a Resistance. I love it when you give us the nonchalant, watching. I love it. He just used one. The wiggle that comes with it. With the Stunning Strike. Second attack. Wow. The opposite in the spectrum, seven damage. Okay. Seven damage. A Stunning Strike. Success. It's a 16, right? What's your DC on that? 16. 16. Flurry of Blows. Go for it. For my bonus. Let's go. Each of these punches, by the way, as you're punching him in the side, it's like searing your knuckles. uh, Water shouldn't be this hot. Okay, it's bad. 21 on the first one. That hits. And 13 on the second. 13 misses. Okay. But the first one does hit. Go ahead and roll damage. What'd you roll on the first one? 21. 21. 18 hit, though. 18, 13 is what we're at right now. And... Go, Julian. Vokodo-regard! laughter. Oh no you Voko-don't-regard! laughter. 10 damage? 10 points of damage, bludgeoning. And Extra Aspects. Okay. So, all three hits and you pull back, and the burning sensation from all the blows you laid into him do seven points of fire damage, total. With each hit, the sheer temperature of the surface of his hardened exterior burns your knuckles. And as soon as you walk away, like, Ah, fuck, that hurt! So just know that hitting it with a melee hit seems to to burn you back. groans. It burns, it burns! He burns! You do learn that he is resistant to bludgeoning, piercing, and slashing from non-magical attacks, is resistant to cold damage. Resistant to cold damage? And is immune to fire damage. Ooh, okay. Not vulnerable to anything? Not vulnerable to anything, no. I just shout out: Obviously, think he's immune to fire. Surprisingly, resistant to cold. Didn't see that one coming. And then that's my turn. Thanks for the commentary. There you go. That finishes Kaelen. Derek, you're up. I'm going to just pull out the Driftglobe and say Fajar and cast Daylight-- laughter. It's right here on the paper. Fajar. laughter. I cast Daylight here inside the chamber. And then I would like to shimmy towards the right to try to block myself somewhat from his gaze. Over here? Yeah. Is there a gaze we should be worried about? One, two, three's as much as you can move. Just line of sight. You're swimming 15 feet with movement. Yeah. Right. Are you going up at all or are you staying low, just try and block off from the--? Yeah, I will. I will go on a diagonal. I will. A diagonal? All right. That'll put you about there. Fajar? You've got it. Fajar. Fajar! Fajarna. Initiative count 20, lair action first. Oh, no! Wow. Paid the salt. This is fine. Oh, god. I'm getting nervous. laughter. Remember when we spent two episodes preparing for this and it made no impact? laughter. Oh no. Sarah, why? In this vicinity-- Oh. We

Output:
- The group determined that the enemy had three resistances and was immune to fire damage while resistant to cold.
- Kaelen executed a Stunning Strike and Flurry of Blows, landing two hits that dealt bludgeoning and fire damage.
- Kaelen suffered searing knuckle burns from the melee attacks and learned about the enemy's specific damage immunities.
- Sylvia cast the Daylight spell using the Driftglobe and moved diagonally to block line of sight from the enemy.
- The Game Master initiated a lair action at count 20, causing the players to express sudden nervousness about the encounter.


Input: That's true. Okay. That's true, okay. Uh, and I also get to see if it gets its-- Ooh yeah! It gets its a petrifying breath back, okay. Kaelen: Fuck! All righty, that ends its turn. Clara, you're up. Silas, you're on deck. Uh, so far away from him. All right, I'll just take my whole turn. Dash and get behind. Let me roll one more. It takes a whopping six points of radiant damage for that last stuff. 30 right there, you mean? Oh, I guess. I get there? You do, but it takes your full action to get there. Yeah, okay. Was that 30? Wait, how many? Six more points radiant damage. You got it. Even though it doesn't matter. No, it all adds up, man. It's hurt. Yeah, you can go more. Yep, that's my turn. Oh no. Okay. It's all I can do. You need some throwing stars. Actually, can I go a little further to Sarah or no? You'd be able to... Let's see, you were right over here. 35, 40. You can't get quite to Sarah. So I can't touch him? Not yet, no. Okay. And even then it would take an action to do your thing. Yeah, oh, yeah, what am I thinking? Okay, yeah, yeah. Okay. Beauregard, you're up. Derek, you're on deck. All right, I'm going to run and I'm going to Step of the Wind. Okay. As my bonus to dash. I'm going to 'Tep of the Win'. Da twees in da win! Tee in the win. All right. Where are you going? I will-- Well, I-- Wow. The whole table just quoted Nell. In, like, in a wave. That was really amazing. Wow! Okay, you can pretty much go anywhere you want to with Step of the Wind. Right, because I have 100 feet. Am I able to flank Clara? Unfortunately, that's where Sarah is. I can't, like, straddle Sarah and, like, fight over his legs? Oh god, oh! Just kill me. You know, I'll stand on his chest. I don't care. Can I do that? I will say no, because he's occupying the space. My face is in the surf. Are you fucking crazy? Hmm. You'll be fine! Turn over. Oh, you can breathe it anyway. Oh, that's true! Oh. You're fine! Okay, I'm going to... After seeing Nadia's duplicate get flown off I'm going to flip forward and I'm going to jump on top of him. I'm going to have a Saddle Ranch moment. And I'm going to just start, like, right behind. Make an athletics check. An athle-- not an acroba-- To see if you can hold on to it as you leap onto its back. Do I have, like, advantage or anything, no? Natural 20. Yes, you do. You run, leap in the air, vaulting off the back of its hindquarters, land onto it, grab on. There's two of these large spines that stick out of the back of its armor, and you just grab one and you're holding this. It's trying to buck you off. I use my reaction to write 10 on a piece of paper. And hold it up on the rocks. Yeah. 10 seconds!

Output:
- The group confirmed that a creature regained its petrifying breath and dealt significant radiant damage to an enemy.
- Gwen attempted to move closer to Sarah but was blocked by distance and action costs, while Dorian and Kaelen made comments about the situation.
- Sarah used the Step of the Wind ability to move 100 feet, causing the table to quote a line in unison.
- Sarah tried to flank Clara and later decided to jump on top of a creature despite objections about space occupancy.
- The DM asked for an athletics check for Sarah to hold onto the creature's back, resulting in a natural 20.
- Kaelen wrote down 10 seconds on a piece of paper while Sarah successfully landed on the creature's back.


Input: generally not that good. Yeah. That's why. Yeah. That's why people turn into vegetarians. You know? Yeah. Yeah. I wouldn't eat anything that I wasn't prepared to kill myself if I had to. It doesn't mean I have to enjoy the process. I feel like you're a psychopath, if you enjoy putting down an animal to eat it. No. Yeah, yeah. Uh, thank you. Hold on. Hold on. Do you have something to say Meilyne? I meant no as in like, it's bad. Yeah, yeah, it's bad. Yeah. It came out wrong. No. You said that like no I disagree. No, no. I like the killing part. Uh, watching. I say if you don't enjoy it what's the point? It came out wrong. I don't kill animals. Oh my God! I think just bones crunching is just generally unpleasant. Do you remember when we had to like dissect fish or like cut the bones to separate parts of the body. It's often quite, it doesn't really sound nice. I don't enjoy it. I don't get much pleasure out of it. When it stops moving, it's like when it feels a little weird. Right? I think it feels weird. I think it feels weird when it's still moving. Yeah, yeah. That's when it's weirdest to me. Oh, like struggling? Yeah. Yeah. Don't say struggling. No, no, no. Oh God Meilyne. Oh my God! When I buy like live fish, I don't hold it down. My husband holds it down, 'cause I can't handle it. She's like husband, you put the blood on your hands. Not me. No 'cause he doesn't want to be the one to poop it. Oh, oh. So hold it down. So Meilyne, why can't you hold it down? Because I can feel its muscles moving. Like it's struggling. Like it's alive. But you should be prepared for that, if you're gonna kill it. Yeah. If you're the one like excitedly holding the knife. But he's gonna eat it too. So we're sharing the burden. Oh wow! So when I go to the restaurant, the chefs would come out. Nah, I'm not gonna lie Connor, I'm quite squeamish. Could you hold down this cow while I shoot him. Uh, watching. You're just blaming the murder on someone else. Yeah, you're just trying. It's like we're in this together. No, I put the knife in. Meilyne is thing like, "I don't wanna go to hell. If I get someone else to do it, it'll be." Sharing the sin. No, I put the knife in. Okay, I put the knife in. Of course when we asked you for your YouTube recommendations, we get to see you being a brutal murder. No, no. I also watch like food travel things like "Best Ever Food Review Show." Oh yeah, I like that show. Yeah, that guy is cool. I've been watching for like years. Yeah, 'cause like I'm always wondering, why don't you make your own YouTube channel? She does. I do? Yeah, I've seen your videos. Aside from that one. 'Cause I've seen them. I've seen them as well. That's like four years ago. Are we allowed to talk about

Output:
- The group discussed the ethics of killing animals for food, with Meilyne expressing discomfort with the act of butchery.
- Connor admitted to being squeamish and jokingly asked the chefs to hold down a cow while he shot it.
- Meilyne explained that she cannot hold down live fish because she feels the muscles moving, so her husband does it instead.
- The conversation shifted to YouTube recommendations, where Meilyne mentioned watching "Best Ever Food Review Show" for years.
- The participants noted that Meilyne actually has her own YouTube channel, though it hasn't been updated in four years.
- The group debated whether sharing the burden of killing a meal meant sharing the sin, with Meilyne insisting she still put the knife in.


Input: it now, this body is a deep gray, almost black, with these red stripe-like hooked striations that come across the front of the body. At the edge of each joint of its leg, a large barbed hook comes out there and there it looks like a row of horns that goes down the back of its head and across its abdomen. Its eyes, now that you get a better look at it, too, glow this dull orange color with a tiny white dot where the pupil you would think would be if these things had a singular pupil. Uh, wrong. It curls out these giant mandibles. Demon spider. What you see now as it comes down is, on the back of its large, bulbous abdomen, there is some sort of a large, curled stinger that curves underneath its body that's like twitching and puckering as it's pulling its way out of the bottom of its body. I don't want it! Is it pulsing? They doing the bee sting pulse? Yeah. For no reason. It pulls its legs up on the side of the wall, exposing the bottom. You see its spinneret firing and fire this gout of thread out towards you, Sylvia. To Sylvia?! It's trying to catch Sylvia. That's a 21 to hit. Yeah, hits. Fuck, okay. It hits you and splatters and it feels warm, like not burning, but like it has a heat radiating from it that you weren't expecting and it hits your chest and pulls you. Grab that fucking wizard! onto its side there. Can I? As a reaction or something? Can I try and grab Sylvia as a reaction? Sure, go for it. Go ahead and. Yeah, like a missile. Make an attack roll. An attack roll? Yeah. A stick wizard. Oh, yeah, yeah, yeah, yeah, 29. Okay, you grab him. I need you to make a strength check for me. That's not her most strong suit! You're going to get pulled in, too! Go for it. Just a straight check? Yeah, it's you versus it. (laughs) You already know. I can see his hair levitating. Why did I do this? I have instant regrets. It's a nine. Nine. Plus a nine. You see Sylvia get yanked and you grab onto him and both of you get pulled up. Maybe I should grab onto her. Why didn't I keep my mouth closed?! So Sylvia, you're pulled up towards it. Oh fuck, oh fuck. Oh, boy. As you're pulled in towards its chest, two of its legs grab around you and hold you and the stinger, you see emerging through the muscles, pulsing and try to hook you in the stomach. Oh god. That's going to be 16 to hit. Uh, Shield. All right. Yeah, he'd be able to. Okay, yep. All right, so the stinger comes right for your stomach and as you see this horrible, hooked, jagged towards the tip on its underneath point, this smooth obsidian-looking, I would say jet-looking dagger of a stinger come towards your belly. Whoosh, there's a flash of arcane energy and it scrapes up of it, causing these arcane sparks to flash up underneath before it withdraws once more into its belly. Just the tip. That's going to be its turn. But you currently.

Output:
- The Game Master described a massive spider with red striations, horn-like protrusions, and a glowing orange eye.
- The spider fired a thread of webbing that hit Sylvia, pulling her toward its chest.
- Sarah attempted to grab Sylvia as a reaction and succeeded, but the force pulled both of them up toward the creature.
- The spider's legs grabbed the group, and a pulsing obsidian stinger targeted Derek's stomach.
- Derek successfully used a Shield spell to block the stinger, causing it to scrape his armor and withdraw.
- The group experienced intense physical danger as they were pulled into the spider's grasp.


Input: is the lair action. In this space, it is going to... uh, it wastes its lair action on your illusion. Yes! And the direction of your illusion. Yes! So nobody is hypnotized-- Hey! Hey! That's something! Oh, thank god. Uh, wait, I was in that, but I'm already hypnotized. You're already hypnotized. I can't be doubly hypnotized. Does it discern anything about the illusions? It hasn't taken its turn yet. That was its lair action. Got it. Think it has to touch it. Now it is Vilya's turn. Vilya's going to go ahead and swim, over as this orca, over here to get a visual. Ooh, she almost knocked me over! I know. And is going to-- thank you-- bring the bolt down onto Vokodo. I like to picture the killer whale's little fin. (laughs) However, it does succeed on the save. And completely misses it-- watching-- as the bolt fires down instead, and strikes Kaelen. I need you to make a Dexterity saving throw. Oh, shit. Oh, no, she rolled a one? How did that miss it? He made his saving throw. Thanks, Lyra's mom. I was waiting for it, yeah! Apple doesn't fall far from the tree. Way to go, Lyra's mom. 17. Oh, man. A joke five years in the making. That's-- d4 for Bless, right? Yeah. That's exactly her spell DC, so you take half damage. Okay, okay. 5d10, half of that? Do they both take half damage, or no? He does not. Lyra's mom don't got it going on. He doesn't take any damage from it? Not if he makes the save on something for half. Fuck. 28 points of lightning damage, reduced to 14. You take 14 points of lightning damage, Kaelen. Wow. And if I recall... That's serious. Let's see. Each creature within five feet of that point. So, I need both Arthur and Nadia to also make Dexterity saving throws. Motherfuck. Wait, what? It's electrifying! I'm so far away from it. We can't let this NPC die. Oh, no, we're next to Kaelen though. You guys are both within five feet of Kaelen, and it struck Kaelen. Oh, man. We have to get her to-- Home? -- Zephrah. 11. We have to. 23. Must. You succeed and take no damage because of your Evasion ability. That's right. You take the full brunt of it. Wait, how much did you take again? You took... I took 14. 14. 28 points lightning damage to you, Nadia. (groans) Nadia! Wow. It did more to her than me. Vilya, at this point, the orca goes-- and gives this baleful sorry sound throughout the water that all of you hear. Sorry. 28 points? 28 points. Okay. Okay, that finishes her go. It is now Vokodo's turn. Vokodo is extremely scared of this thing. It's going to use its action to try-- Uh, it's going to try and move away from the illusion. It's going to use its action to try and discern whatever it is you're opening there.

Output:
- The group confirmed that the illusion successfully avoided being hypnotized by the lair action.
- Vilya transformed into an orca and attempted an attack that missed Vokodo but struck Kaelen.
- Kaelen successfully made a Dexterity saving throw, taking only half damage from the lightning bolt.
- The spell's area of effect expanded to include Arthur and Nadia, who were standing near Kaelen.
- Arthur and Nadia utilized their Evasion ability to successfully avoid all damage from the secondary blast.
- Vokodo became terrified and prepared to move away from the illusion to discern its nature.


Input: seeing all this go down at the get-go, and then everyone rush in, there's a moment of Dariax like: What's happening? Then looks over and sees this change in Opal that he still hasn't even processed since all this went down. There's this pang of worry and sadness that hits him, uh, there's this pang of worry and sadness that hits him, and he's like: Oh, Opal. He's saying this out loud, he doesn't understand how telepathy works. He's just-- AABRIA: Baby. My son. ANJALI: Baby. DM: We're going to get you. Don't worry, uh, we're going to get you. Thank you, everybody, right? He's going to cast Bless at 2nd-level. AABRIA: Goddamn it! ROBBIE: uh, it's what I do. AABRIA: I hate it here. DM: So it's three, four, yeah. AABRIA: Yeah, pick your four. DM: No, it's us four here, we all have Bless on us. AABRIA: Okay. Not Cyrus, who said, "Yeah," from behind the tree? ANJALI: He's here, he's here. DM: Is Cyrus on the board? AABRIA: There's no Cyrus, he's not on, don't worry. ANJALI: Where is he? Okay. AIMEE: After all the handies, Cyrus? AABRIA: You know what? That's right. Can I get anyone that exists back there bring me anything for Cyrus? We got to-- DM: There might be some minis to your left over there. ANJALI: Would you like 900-- Would you like a die? AABRIA: Oh yeah, yeah, yeah. DM: You can grab one of those. AABRIA: Okay. He's going to be one of these guys. He got a handjob, he's going to be a part of this. AIMEE: Did it mean nothing to you? ERICA: Oh my god. AABRIA: Give me a performance check. AIMEE: Oh boy. I don't know: Me or him? Oh fuck. AABRIA: I just want to know how good a job you did. AIMEE: Babe. AABRIA: He only rolled a three as initiative so I don't think it's great. AIMEE: Girl, like only a virgin knows how, that is a seven. AABRIA: Yeah! ROBBIE: Oh yeah. AABRIA: Yeah, yeah, yeah. ROBBIE: OTBHJ. ANJALI: Woohoo. ROBBIE: Dry, chafing. AABRIA: He's going to stay back here and be like-- ROBBIE: Yeah, bad. AABRIA: A three is about as far an initiative, he's like, "Mm, mm." DM: It's a 3rd-level Bless, I'm going to give it to him anyway. ERICA: Oh my god. ROBBIE: Oh man. ERICA: Wait, what does that mean for us? AIMEE: 1d4, I think. ANJALI: Yeah, it's d4, right or no? DM: You add a d4 to any attack rolls-- ERICA: Oh! DM: -- ability checks, or saving throws. ERICA: Oh my gosh. ANJALI: Ability checks, too, we like that. ERICA: Plus four attack. DM: All right, I'm going to be like: We're going to get you, girl, we're going to get you. How do we get her? What are we doing? DM: He's going to start panicking, and he's going to start rushing up to try and join the rest of them in the front. So he's going to start climbing up the side. Ha-- Woo-- I don't know what we're doing. What are we doing? ANJALI: Baby-- AABRIA: Where you going? Are you trying to get up here? DM: Yeah, get up on the edge there. AABRIA: All right, give me athletics or acrobatics. You're going to pass a little thing of dick gems on the way. DM: I have a 11 passive perception. Just goes: Ooh, pretty! And then keeps going. AABRIA: Baby. DM: Oh. That's a seven. ROBBIE:

Output:
- Dariax reacted with worry and sadness upon seeing the change in Opal, though he did not understand the telepathic communication.
- The DM cast a 2nd-level Bless spell on the group, and later clarified it could be a 3rd-level Bless given to a specific character.
- AABRIA and ANJALI interacted with the DM regarding Cyrus's presence, eventually accepting that he was not currently on the board.
- AIMEE performed a check for Cyrus's initiative, rolling a seven, which was celebrated by the group.
- The DM described a character panicking and climbing up the side to join the front, passing a passive perception check for "dick gems."
- The group discussed the mechanics of the Bless spell, noting the addition of a d4 to attack rolls and saving throws.


Input: game. I couldn't beat it. Because I was making, I played it for eight hours and I made no progress. And then I went to bed, all I could feel was me playing the game in the dream, and then I was playing it and I couldn't get out. It was horrible. uh that's a nightmare. that was a nightmare. that's a true nightmare. that was a horrible nightmare. that's a scarier nightmare than you dying. the worst part was, I knew that I was in a nightmare, and I was getting more annoyed because why am I wasting time where I could be actually doing this? But instead I'm in the nightmare, stuck in a cycle playing it in my nightmare. what a weird thing to dream up. um do you ever have moments where your dream is so intense that you don't feel like you've slept at all? yeah. I wake up more tired than before I went to bed. no. I've never had that. sometimes, because you go on such an emotional journey in this dream, or at least I do, that I wake up just exhausted. so what do you do then? Just get another eight hours? I don't. I get up. I get up but sometimes I just feel like I haven't slept at all, just because I feel like I was awake in my dreams, so I really didn't sleep at all. I don't know. It's really weird. the worst nightmares I've had is I go to sleep, obviously tired, and I'm probably not even in the right state of mind before I go to bed, hence the reason why I have the nightmare, and then I have that nightmare. I wake up in that fucking cold sweat, like breaths rapidly "Fuck." I'm so tired after that but I don't want to go back to bed. I know if I close my eyes right now, it's just going to be like, "To be continued." It's just going to happen again. why is it where you have a fun dream, you can never get back into the dream? When you have a nightmare- the nightmares are waiting for you. When you have a nightmare, you go back to sleep, you re enter the nightmare? well, I think it's putting stress and stuff. It's probably a mental state. it just comes out from behind the tree. like Freddy's like, "Hey. guy. Hey. boy. Oh, you sleeping yet? No?" Yeah. I don't know why. I find it so much easier to re enter my nightmares than to re enter my fun dreams. can I get a round of applause, everyone? Because this episode is sponsored by Manscaped. They've just launched their Ultra Premium Collection. Believe it or not, it's for your not so private parts. I'm talking about a leveled up hygiene routine with your favorite manly scent. This is an all in one skin and hair care kit for the everyday man and covers you from head to toe literally. Manscaped is trusted below the waist, now trust them with the rest of your body. Garnt we all know how essential the Manscaped Lawn Mower 4.0 is for that precise trim below the waist, but now you can enhance your perfect grooming routine, with their Ultra Premium collection. Connor, what does this include? I thought you'd never ask, Garnt because it includes Manscaped premium deodorant, well, not for your balls. what?

Output:
- The speaker recounted a terrifying dream where they were stuck playing a game they couldn't beat for eight hours.
- Several participants discussed how intense dreams can leave them feeling exhausted rather than rested.
- One person described waking up in cold sweat after a nightmare, fearing the dream would continue if they slept again.
- The group noted it is easier to re-enter nightmares than fun dreams, comparing the experience to a character like Freddy.
- The episode transitioned to a sponsorship segment where Garnt and Connor discussed the Manscaped Ultra Premium Collection.
- Connor mentioned that the collection includes premium deodorant, joking that it is not for "balls."


Input: a table. But if it's a fucking fairy, then it will probably look fuzzy. - Well, you know when you're trying to remember a moment that happened, you have a picture of it in your head. You don't have it in 4K, RTX, the way that you saw it. It's fuzzy. You remember where everything was, you think. You know what I mean? The way that you recall things that happened, it's like that, the way I see stuff in dreams. I don't see it perfectly. If I'm focusing on this table, I know Garnt's there, for example, but I can't see Garnt. Does that make sense? - Yeah. - Yeah, yeah, yeah, yeah. - Items that I'm aware that are there in the dream, I don't see them unless I'm then paying attention to them. - Yeah. Because then your brain has to render out. - Right. It's rendering. It's rendering. (laughing) - Because you know it's there but your brain's just like, "I don't want to render this out right now. I know that Garnt's there, I just don't want to render out." - You got to upgrade you brain's graphic card. (laughing) - I mean, it's true. It's true. Because when I picture Garnt now, I don't need to see that Joe's in the corner of my eye because it's in the corner of my eye. But when I'm trying to remember the whole picture, in my head, when I'm in the dream, it's like that. When I can't- - Your brain does a sequential rendering? - Are you still running a 1060? What's going on? - My draw distance is low as possible. (laughing) When I'm walking up to the building, it starts to come into frame. It's a load of shit. What a weird fucking, What a weird shit. It's like that, though, where the dream doesn't exist unless I'm focusing on it in the dream. - Have you ever had a dream that's taken place in somewhere that you're very familiar with? - All of my dreams are in places that I've been to in real life. - See? Most of the time my dreams are in new places that I'm not aware of. - Really? - I don't know what it is. - I think my brain is capable of coming up with new locations in my dreams. - What I think it is, I think it's stitching together things that I've seen in passing or a picture. - Right. - Yeah, yeah, yeah, yeah. - And what I, I can't visualize a lot of things but I just know what's happening and I have an idea. It's really strange. - A lot of my dreams are in my house. They take place in my house. - Really? - That's strange. I never have dreams in my house, ever. - But all sorts of fucked up shit happens in my house that shouldn't happen in my house. - Wait, wait. Which house? Japan? Japan? - The house that I'm currently in. - Oh, the house- - Okay. When your dream start, I'm sure it's not, credit sequence, shot to do, Joey opens up, "Hey." Do you just wake, It's like, "Game start." You just start in a weird ass location, and you're like, "What the fuck is going on?" - No. It's always mid conversation. - What? - I never remember the start of my dreams. - I'm just like, "Oh, wait. Oh, I guess we're here now.", kind of thing. - I guess I only remember my dreams when I realize I'm

Output:
- The speakers discussed how human memory and dreams resemble low-resolution video rendering, where details like "Garnt" or "Joe" are known to exist but not visually rendered until focused upon.
- They jokingly compared this mental process to upgrading a computer's graphic card or fixing low draw distance, noting that the brain only renders necessary elements to save resources.
- One speaker mentioned that their dreams almost always occur in locations they have visited in real life, while the other believed their brain stitches together new places from past memories.
- The conversation shifted to the speaker's personal house, where they noted that strange events happen in their dreams even though they never actually dream inside their real home.
- They debated the start of dreams, agreeing that unlike video games that begin with a credit sequence, dreams typically begin mid-conversation without a clear starting point.
- The discussion concluded with the observation that people often only realize they are dreaming when they wake up or suddenly notice the strange context of the situation.


Input: No, no. There are two over there, but I don't know who that was. Dorian, it's your turn. Okay, changes things slightly then. So he had an idea, but he's got to alter it. Five, 10, 15, 20, 25, 30, he runs over here. 25, 30. Unfortunately, now you're getting enough into the water there where it's starting to lower your speed. So that's as far as you can move there. Okay. All right. Can go around the other way and then-- Hmm. Did you just Baywatch run over there? Yeah, that's what I was imagining. Except a filthy hobo. No, he's got his purple coat on, he's not filthy. He washed a long time ago, Derek. Yeah. He gets dirty a lot. Shit. You all do, to be fair. Shit. Okay, I'm going to do it anyway. Pulls out the cat's cradle and just slams it. Is it water where I'm standing? You are in water, yes-- Balls, Ted. Can't do that, then. I thought I would make it farther. So instead, I got to do something completely different. I'm going to cast, shit, I'm going to cast Slow again. That's wisdom. Wisdom. Oh, 19, plus one, 20. Saves. All right, sorry. Goddamn it. That move changed everything. Good. That finishes your turn? Yeah. That brings us to Sarah. Yeah, I'm going to-- You get advantage. Uh-huh. I'm going to run 30 feet back on this diagonal. Oh boy. If he attacks you. 15, 20, 25, 30. That gets you right there. You run past those two statues there. It does get an attack of opportunity on you. Uh-huh. That's natural 20. Oh! That went as poorly as it could've. How close am I? Close. 35 feet away from it. I'm 35 feet away from Sarah? Yeah. Yeah, because, five, 10, 15, 20, 25, 30, 35. Motherfucker, okay, never mind. Sorry. That was a gamble and it didn't pay off. Nope. Sometimes it does. Not today. Not today. What if you'd stayed in the corner? Not today. This is an udder disaster. Oh boy. Oh! Milked that one. Milked that one? 54 points of piercing damage. Oh, that sounds good. How much?! 54. You go to run away and it just gores you in the back with its horn. You see Sarah get impaled on it. It swings its head side to side shaking him before he gets thrown off of it. He rolls across the edge, barely getting back to his feet and you can feel the puncture wound in your back bleeding profusely. Should've steered clear. Oh, wow! This is really-- Oh, that hurts. Hurts right here. That was good. All right. That sucked. I'm going to send all three Eldritch Blasts towards it with advantage. Go for it. That's a 21 to hit? That hits. Okay, second one is a... 25. That hits. Third one is a 20. That hits. All three hit. 11 points of force damage. That is seven points of force damage. 18 and 12, so--

Output:
- Marcus attempted to run through water but was slowed down and forced to cast Slow again after realizing his position was compromised.
- Dorian moved 30 feet diagonally and triggered an attack of opportunity, resulting in a natural 20 roll against him.
- Maeve confirmed she was 35 feet away from Sarah, leading to a failed gamble that resulted in 54 points of piercing damage.
- Sarah was impaled by a horn, shaken off, and suffered a bleeding puncture wound while Dorian observed the chaos.
- Dorian cast three Eldritch Blasts with advantage, all of which hit the target, dealing a total of 18 and 12 points of force damage.


Input: So roll damage. Okay. All right, so that is six plus six is 12, plus a d6 for the Hex. So that's 15 for the first smack to the side of her noggin. Okay. Nice. Leaping there and doing the next is a 22 to hit again. 22 to hit. This strike, as you go to swing, one of the local farmers darts right in front of the way and blocks the Willmaster with their body and you strike them across the chest. Well, it's still non-lethal, so knocking, so that's 15 points. 15 damage, they go unconscious on the ground. You hit them with the flat of the blade. Fuck. That farmer just-- Unconscious, unconscious. -- crumples unto the ground. Unconscious, okay. You just beat the fuck out of of them, it's okay. Non-lethal damage. Okay, okay, okay. He's drooling. I'm going to finish. You're going to unload on them? Yeah. Yeah. This is communal. That's a natural 20. Of non-lethal. You don't think they have rodeos in this place? I mean, come on, these people get knocked out all the time. Yeah. One of the other farmers runs in as the Willmaster is backing out. Oh man! So, it's not a reaction. It's just ongoing continual? It seems that as long as there are any within the immediate vicinity of the Willmaster, I roll and there's a chance that any of them will take the blow for her. Okay. That's an awesome feat. Wow. It's really, really cool. It really is cool. You just got to remove the shields. Yeah. Yeah. Okay, so I've just knocked out-- Or else you'll just beat up everybody. -- two citizens here and jumped forward. We swear we're on your side! Set fire to the place. We're the good guys! Damn it. There's still a couple more people around? There's these three here. Yeah, citizens. There's one that's right next to them. Oh, it's a little man! There's one over here that hasn't quite-- It's an old man. It's a cute old man who's about to get Meat Shielded. Oh my gosh. You can't Meat Shield an old man. Oh my gosh. "I'm headed over to bingo. Oh, fuck!" This little halfling shithead. This is tricky. This is dark. I'm going to action surge. Okay. I'm going to leap up and grapple her head and hang on. Okay, all right. So you action surge and then go on. You can grapple multiple attacks. Each attack can be a different grapple attempt. Okay. So for the first one, make an athletics check versus their athletics. That's a natural one, which I'll reroll. Okay. Natural 20. Okay, so that one fails. Silvery Barbs. What is that? They have to reroll a 20? That's going to be an 11. That was a 12. Oh! All right, so yeah. So your first attack-- Yes, let's go! -- you reach over and you grapple onto. They're now currently grappled and unable to move away. That's so good. Now, if

Output:
- Kaelen successfully dealt non-lethal damage to a farmer, knocking them unconscious after a strike blocked the Willmaster's path.
- The group realized that local farmers were actively intervening to shield the Willmaster, prompting Kaelen to plan a move to remove these shields.
- Kaelen identified an old man and a halfling among the citizens, with Sarah joking about the old man being used as a meat shield.
- Kaelen utilized an action surge to leap and grapple the Willmaster, initiating a grapple check that initially resulted in a natural 20 failure.
- Lyra cast Silvery Barbs to force a reroll, which eventually succeeded in grappiling the target, leaving them unable to move.
- The party prepared to continue the engagement against the remaining citizens while managing the newly grappled threat.


Input: like getting into like this almost vegetative state where you're just so focused on the road that you forget that you're going at like 70 miles there's a phenomenon right where you know some people if they drive back to work all the time and it's a relatively short distance some people can forget that they even drove to work that like they don't have the memory of driving the car because they've done it so many times and it's so automatic yeah it all just Blends together it's like have you ever had a autopilot moment in your life where you just like for sure you wake up from the Matrix and you're like why did I do this I well you're just walking and you suddenly forget like you're walking you just you don't like you don't you don't like have that thought that you're actually controlling your walking there's no there's the moment that I'm sure everyone in the world has experience at least once of like you're just you know you're in the living room and then you walk to your room and then you enter your room and then you just stop and you go why did I just walk away of course of course everyone's had that that is that is like an autopilot moment my my brain just pre-programmed to be like walk to yours because like I'll never forget that that's like that that's like every day of my life Welcome to ADHD everyone but like I remember like the worst time it happened and the part that still like freaks me out is I remember I remember this one time um in University um so you know you go to your lecture or every single day of your [ __ ] life right and then I remember leaving my house because it was the weekend yeah and then huh yeah ladies and gentlemen it was the weekend and I was going to meet a few friends in the city center um so I start walking I put on my earphones uh and then the next thing I realized I look up and I'm in front of my lecture hall and I'm like why the [ __ ] did I go here how did I walk it was it was the autopilot walk today autopilot walked to the ledge Hall and it's not a short walk it was a 30-minute walk what I did not notice that I was walking to my lecture hall which is the opposite direction to where I was going to meet my mates until I was in front of the lecture hall dude if that isn't solid evidence that like fast travel exists in real life like I don't know what it is you just press the button and you just he's a fast travel to the lecture travel to the wrong place I'm like I glitched down on my way don't you I don't actually need to go yeah yeah that is It's like because I'm sure everyone has experienced that I'm just like oh I'm here now but I don't remember how I got here yeah I just I just like oh I just my my feet just started walking and I'm here now okay that's just the pre-programmed script just started right it's just like all right here we go bro that's so funny that's every time I walk back after like a night of drinking sometimes holy [ __ ] I've had like insanely song insanely long walks after I'm like [ __

Output:
- The speakers discussed the phenomenon of "autopilot" driving and walking where memory of the journey is lost due to repetition.
- One speaker recounted a specific incident from their University days where they accidentally walked to their lecture hall instead of the city center.
- They had put on earphones and walked for 30 minutes without realizing they were heading in the opposite direction of their friends.
- The speaker described arriving at the lecture hall and questioning how they got there, comparing it to a "fast travel" glitch.
- Another speaker agreed, noting that they have experienced similar moments of "pre-programmed scripts" taking over, especially after nights of drinking.
- Both agreed that these instances serve as evidence that the brain can bypass conscious control during routine or automatic tasks.


Input: just had their brain chemistry had changed after that experience just because they had like made peace with the fact that they were going to die and it's I find it interesting because you know in movies and everything like that you you see people portrayed as the world's coming to an end let's all [ __ ] Panic let's all go out kicking and screaming but the reality is so many people were just um were just kind of like at peace without accepting yeah yeah I I think about that video of that guy who's just playing golf oh yeah yeah I'm gonna finish this whole of golf yeah I'm gonna get a PB before he like I saw that video as well there's a guy who just starts off the video being like if you're seeing this video I probably didn't make it oh wow and and he just he just starts being like you know what I lived a good life this is probably the end but I'm gonna finish playing this golf I'm gonna go out doing what I have it's such a good video what a chat what a [ __ ] I think I think one of the most famous stories actually uh Jim Carrey who was in Hawaii at the time all right uh and he I saw a clip of him telling his story about it as well well what happened was he got a call from his agent being like this is happening what the [ __ ] uh so you know the first emotion you get is like Panic yeah is there anything I can do I gotta find my friends gotta find my family and everything like that um so he tried calling his daughter I don't think his daughter picked up or anything like that uh but then but then after after that initial panic's over kind of like the acceptance kind of comes in so then what he did was he just he just thought to himself everyone's trying to get out but then he just he just said he just realized he didn't want to die in his car right so he walked out to the hotel and just walked on the beach and just sat there and just thought about everything that he was thankful for in life and I'm like [ __ ] man that is that must have been an experience that you can't like I don't know I don't know it's more people like I'm genuinely curious if anyone in Hawaii went through that experience what was your experience because I I find that what happened in Hawaii [ __ ] fascinating because it's it's kind of like a case study of like so many people believing that this one terrible thing is going to happen there's one thing you only see in like films and Cinema and stuff like that so you don't normally you don't really know how people are going to react or how how you're going through around you you can only just like [ __ ] think maybe I'll do this right maybe I'll do that right and I feel like hearing those stories as well like you know you know first-hand narratives is like you know they you can you can hear and you know imagine what they were going through but like the actual like raw emotions that they were going through is like that's something you can't just like listen to and imagine right like that's something you can't just like thank you

Output:
- The speaker discussed how many people find peace when facing death, contrasting this with the panic often seen in movies.
- They recalled a viral video of a golfer deciding to finish his game before the end, noting it was a powerful story.
- The conversation shifted to Jim Carrey, who received a call from his agent regarding the Hawaii situation.
- Carrey initially panicked and tried calling his daughter, who did not answer the phone.
- After the panic subsided, Carrey chose to walk to the beach to sit and reflect on his life rather than dying in his car.
- The speaker expressed fascination with these real-life narratives as a case study for human reaction to impending disaster.


Input: Over there? Yeah. Okay, cool. In between you and it? That finishes your turn? Oh yeah. All right. I'm trying to be a good cleric. Uh, I don't want to be a good cleric, I want to hit him. That's why I-- All right, on this turn, it inhales as its armor extends once more, gets all of its legendary actions left. You watch the armor plates splitting as it begins to inhale and that fume that was spilling out, stops giving out, thank you. And then it roars unleashes a torrent of it out-- Bye, bye. This way. Am I, like-- Can I just out of range? It probably does. See here, I'll say, because it's at here. You do get to add a d4 to your save, though. Everybody freeze. Uh, everybody freeze! Maybe poison. It's pretty tight there, let me see. Go from there. Punk. That's pretty close. I'll take it. It's fine! It's fun! It's a game. It's pretty close. Ah! It's out! It ain't within! It's fine! I feel like if the tip is there-- Give me the damage, it's fine! It's over the square. Okay, okay. That's just on the edge, I need Derek, Beauregard, and Clara to roll constitution saving throws for me, please. Yeah, okay, okay. With a plus four? Yeah, you and Silas got plus four. I'm fine, guys. Natural 20. Nice! Yay! Natural one. Ooh. With your d4? 23. If it's poison. Is it poison? It's not poison. No, it's stone, man. You are restrained, Beauregard. You find your body suddenly beginning to lock up in places-- Oh no, oh no. We're going to be paralyzed. Your skin turning slightly gray on the edges of your elbows and-- And it's directly in front of her and can smash her. Oh no, oh no! Paralysis takes a minute to fully kick in, though, right, or? You don't know. I don't know. Okay. Oh no! Restrained. You are restrained at the moment. She's restrained. Do we see a physical change in her body? She turning gray! She's turned gray. Yeah. Okay. You hear me start going: Fuck, fuck! Okay, okay, okay. And with that... he's going to go ahead and-- Well, that changes stuff. Fucking-- god-- Thank you. You're not gray yet, though. No. And rush up towards Dorian. You do get an attack of opportunity against it. But with disadvantage, because you are restrained. But with a d4. Huh, but what? With disadvantage, because you are restrained. With a d4. Yeah, roll again, disadvantage. Okay, come on, come on, 25. 25 hits. As it tries to rush towards Dorian, you go ahead and sweep out its front leg and it skids into the dirt. Its back legs kicked up for a second and it has to right itself and shake the dust off. Sentinel! Yep. Oh, is that what you were describing? Yeah, I was just describing was you tripping it up. So yes, you're right! What's the damage on that? 10. Doubled. 10 doubled. That's right, 20 points.

Output: - The DM described a creature inhaling and expanding its armor plates before unleashing a torrent of fumes. - The party reacted with confusion and humor, with Gwen singing a song about freezing. - Several characters were forced to roll constitution saving throws against the creature's attack. - Gideon rolled a natural 20, while Sarah rolled a natural 1, leading to a collective groan from the group. - Beauregard was restrained and began to turn gray, signaling the onset of paralysis. - Sarah successfully used the Sentinel feat to trip the creature as it rushed toward Dorian, dealing 20 points of damage.


Input: an investigation check. uh Borlan: I'm keeping an eye on the dead people. Lyra: Oh! A Natural 20 for a 29. Game Master: That's pretty slick. okay. the chains are affixed to the wall. Lyra: In grooves, I know, are obviously feeding. Game Master: To some degree. Sylvia: Chains are ceiling to the wall? Game Master: No, they're affixed to the wall and dangling loosely and there are some loops that are hanging from it and there are open manacles at the end of them. You are-- Sarah: 25. Game Master: 25, so you look along the pillar and feel for any sort of switches or anything. You don't notice anything that is pullable or pressable or anything. As you stand up and look over the top of it and put your hands on the front top of the table, it shifts down, ever-so-slightly, like an inch. You pull back. You are appearing around, looking. You see something shift in the pile below. You see a hand flop over. You see, pushing from underneath-- Lyra: We've got a problem. Game Master: (undead moaning) Game Master: I'll be right back. Lyra: I immediately-- (shouting) Sylvia: No, don't leave! Marcus: Oh, no. Elias: No, stay! Marcus: This battle camera! Again. Sarah: Oh! Borlan: Whoo. Sarah: Deflect missiles! (shouting and clapping) Elias: That's good. Marcus: That move was brought to you by Dwarven Forge. Check out their PDF, Dungeon-- Game Master: A portion of the floor suddenly open up. Marcus: On Dwarven Forge. Why is it such a cool color? Did you paint that? Sylvia: Look at the fucking grappling hooks. Game Master: I used these last campaign. Borlan: Ew. Marcus: You did? Borlan: Yes. Marcus: Are they dripping with blood? Sylvia: They're dripping with goo. Elias: We came in that door over there? Game Master: You came in through this door. Marcus: They're dripping with boysenberry jelly. Game Master: You guys can place yourselves where you like based on where you were. Sylvia: Are those bars that have been ripped open? Game Master: Well, at the point of that thing shifting and the movement happening, you now, on the floor, there's a section where it-- iron area (whooshes) opens up a bit and bends and you can see things starting to crawl their way out as well. Borlan: Mm-hm. Marcus: Can we get out of here? Derek: These are new, right? These are where we are originally seeing bodies down? Game Master: No, these were closed. These are the slopes going down. Derek: These are what we saw and these just opened up? Game Master: Where you see it gets dark around the edges. Because I couldn't find slopes. Starts behind there and gradually heads down underneath this slot. Derek: Okay. Elias: I'm going to get in-between Sarah and Nadia, actually, on the other side, yeah. Game Master: You got it. Marcus: We entered from the doorway closest to you? Game Master: Entered from this door. Marcus: Okay. Game Master: Which has slammed shut. Sylvia: Oh, good. Derek: You said these opened up? Game Master: Correct. Borlan: Jesus. (frustrated noise) Look at these chains on the wall. It looks so cool, Game Master. Sylvia: It really is. Elias: This is very cool. Borlan: No! Game Master: Then you arrive here. Oh, all right. Marcus: Oh, so many. Oh so many. Game Master: All right. So for initiative here, we'll say... Everyone roll initiative. Derek: Holy crud. Game Master: As now these corpses are starting to drag their way out of the pile, not all of them at once. Ones are starting to start shifting and moving. Sylvia: This is the worst night of initiative. Game Master: 25 to 20. Elias: Natural 20. Marcus: Holy shit!

Output:
- Borlan kept watch over the dead people while Lyra rolled a natural 20 for her investigation check.
- The Game Master described chains affixed to the wall and manacles, prompting Sarah to roll a 25 to search for switches on a pillar.
- The table shifted slightly, revealing a hand flopping over in a pile, which led to Lyra shouting about a problem as undead began to moan.
- Marcus and Elias reacted to the chaos, while the Game Master explained that the floor opened up and that grappling hooks were dripping with goo.
- Derek and Elias clarified the layout of the entrance and where the group was standing as the iron area bent and corpses began to crawl out.
- The session moved to initiative rolls, with Elias and Marcus both achieving natural 20s as the Game Master noted the corpses dragging themselves from the pile.