Input: lot yeah no we're not good at that well obviously because we've got legs and we're heavy dragonflies are light of yeah but also often a lot of times like birds and like like um a lot of the times their skulls kind of evolve to do certain things like um woodpeckers they just wrap their tongue around their brain to absorb it you know that are you serious your tongue wraps around their brain that's right I'm trying to Google this that's crazy if you like got into a car crash and you're just like hold on I'm Gonna Save myself from getting an aneurysm that legit yeah look at this look at the diagram the the tongue wraps around the brain oh that's epic like give some kind of cushion to their brain because like like they just like nature just up hentai like concept you know what I mean that's what is that okay okay explain that concept to me let's break down watching tell me that or something tell me the plot what's the plot oh awesome yeah that's something new man hey I can't call for that uh we up Humanity we've trained an AI to like come up with with brain with brain wrapped tonguing brain wrapped oh my God yeah maybe she's thinking of all different types of planes now it makes me wonder how how did how did the invention of like the helicopter how did that get like dude that's actually a sick history uh because the guy who made it is a psychopath he just was like you have to be like I look like helicopter he was like determined to die like if you look at the history of like the models of how I made it I swear one of the dudes who was trying to make it was like actually insane yeah like it crashed so many times right but he just kept trying to make more because he was like dead set on it there's also like a genius invention really yeah yeah I mean I I mean I I don't I I fully believe that because I look at a helicopter and you're just like that shouldn't fly I like I don't know what I'm talking about we're living in a simulation I always thought helicopters were way cooler than planes I was a helicopter gang all the way wait how was team helicopter I do not have this like you just you just like when I saw like a battle helicopter I think that's just purely based on the fact that like like you don't see you don't see helicopters as often as planes yeah sure and all the helicopters you see are kind of lame they're all kind of like you know normal ones but they're actually the ones with guns like whoa something in your boy brain you're like oh that's cool I think it's also just the like the idea of the helicopter let's let's spin this thing so kind of fast that we could fly as a kid I'm just like yo I'll just fly but stain yeah just just stay in the air yeah planes you're just like it's got a engine to like making her pew pew pew I don't care thank you

Output:
* The speakers discussed how woodpeckers evolved to wrap their tongues around their brains for protection during impacts.
* One speaker expressed amazement at this biological concept and compared it to the safety mechanisms needed in car crashes.
* The conversation shifted to the history of helicopter invention, noting that the creator was a determined psychopath who kept building despite repeated crashes.
* The group debated the perceived coolness of helicopters versus planes, with one speaker admitting they were a "helicopter gang" member.
* They observed that people often find helicopters cooler because they are less common and the military versions with guns are impressive.
* The discussion concluded with the speakers comparing the mechanics of flight, noting that planes rely on engines to make sounds while helicopters are imagined to just spin fast to fly.


Input: and it's like, "All right, well there's no internet. There's no iPhone, there's no anything like that." Like that sounds pretty crappy honestly when you think about it. Now that you know the whole handiness of today. - You assimilate with whatever you have at the time. Right? You get used to it. - Yeah of course. - Even if you had no phone, you'd get used to it. - You enjoy other things. - Yeah, whatever. - But do you think kids 30, 40 years from now, will be saying the same thing about the 20's? - No, no, no. The UK- - They're all in 20's. - It's very unfortunate 'cause I feel like, coming from like up north, like everything in the UK was kind of like focused on London and the south, and the common sentiment from where I grew up and around the area is kind of like abandoned, all the money and stuff and all the investment went to London. - Yeah. - So a lot of the north Northern cities in the UK have kind of been deprived of any economical advantages or anything. And so, a lot of the cities are kind of getting run down. It's not very good. - It's kind of like Japan, isn't it? - Yeah. - Very much so. But unfortunately it's like, I feel like at least in the countryside of Japan, it's like, all right well, at least they can still do the local business of farming and stuff. In some certain UK towns, just nothing. There's like nothing to do. - How do you make money in those areas? - It's all like minimum wage jobs. And there's no like big business there. - Or, it's either like you commute to the bigger city. - Yeah, yeah, yeah. - I was thinking about this earlier and I think as we grow older, we will be able to say that we did grow up in a pretty cool time actually because we have, I was thinking like what would be interesting to like a younger generation to hear about. And I think the fact that we grew up in the age where basically internet was invented, I think that will be cool. I think that'll be cool as fuck to say. - We're like the last generation of people really who grew up initially without a smartphone. - Yeah. - Yeah. - It wasn't like till like age like- - 13 I think. - Imagine saying to your grandchild, "Let me tell you when the internet just was assimilated into society." I think that's a cool fucking story because like- - We grew up in like the fucking VCR, DVD era. - Yeah, yeah. - Which is like ancient technology to kids today. They are like, "Wait, what the fuck's?" Like kids really don't know what a VCR is. I'm like, have I really gotten to that point now where I'm just like, "Oh, you fucking youths of today don't even know what a VCR is. You never had to like stick the pencil in to like rewind the tape." - Let me tell you about LimeWire and Napster. (all laughing) Let me tell you the war stories, of how to download Lincoln Park Of Webster. (Joey laughing) Had to download Lincoln park and got fucking Bill Clinton for the 50 millionth time. (Joey laughing) - The question though, when did you guys get your first cell phones or smartphones? - I entered high school. - High school? - 13. - Yeah, I was 13.

Output:
- The speakers discussed the difficulty of adapting to life without modern technology like the internet and smartphones.
- They noted the economic decline in Northern UK cities compared to London and contrasted it with Japan's rural farming economy.
- The group expressed pride in growing up during the transition to the internet age, specifically in the VCR and DVD era.
- They shared nostalgic stories about downloading music from LimeWire and Napster, including humorous errors with Bill Clinton files.
- The conversation concluded with the speakers recalling that they received their first smartphones around age 13 during high school.


Input:
Can't get fucking rid of them. uh they're invading San Diego apparently.
Huh? they're invading San Diego apparently.
Really?
Yeah.
Why San Diego?
I don't know. A few of my San Diego friends told me, they're like, "There's so many Australians here."
She says after meeting one Australian. uh watching.
Well, when I was growing up though, I always thought America was way cooler than the UK. I just thought.
That's just because you were born in the UK.
To be fair growing up, I thought pretty much anywhere else was cooler than the UK.
The UK. Right? It's like, our image is on borrowed time.
Yeah.
What the UK actually is and what people think the UK is, is entirely different things.
It's starting to catch up with us now, in our lifetime.
When I was growing up, everyone still thought the British people were like charming and sexy.
Yeah.
Everyone was like, "Oh my God, he's British. Oh my gosh. Oh." And then now it's like Tuesday, bottle of water. That's all I get now.
And that's what I always recognized.
Now we'll just get clowned on by everyone including us. And I'm just like, "No, no, no. We clown on ourselves. You can't clown on us."
The UK has very picturesque things, has very nice and elegant things but unfortunately, it's stones.
The buildings.
I love a lot about-
The materials.
Oh like the stone buildings? Is that what you're talking about?
Yeah, sorry.
I love a lot about-
The architecture?
There we go. There it is.
That's the word we're all looking for.
I love the bricks.
No, no. In my mind, I was zooming in on the image of just one of the brick.
Right.
A stone wall type of thing.
A single brick.
Yeah, and I was like.
The UK has nice bricks, yeah.
It was nice. The UK was nice. I feel like it's gone downhill a lot since the old days.
Like the sheep running through the fields.
The good old days.
Not the days where I was born, before me it looked like it was pretty cool. I don't know if that's because I wasn't born there, yet, but,
Oh, maybe I don't know I feel like some things were just cooler before we were born. I feel like, the stereotype about, music was better in my parents days or but you know, when your parents said that. I think that's actually kind of true. I think I would love to have lived in my parents' age with some of the fucking bands and stars that they listened to.
Yeah but at the same time you think about it and it's like, "All right, well there's no internet. There's no iPhone, there's no anything like that." Like that sounds pretty crappy honestly when you think about it. Now that you know the whole handiness of today.
You assimilate with whatever you have at the time. Right? You get used to it.
Yeah of course.
Even if you had no phone, you'd get used to it.
You enjoy other things.
Yeah, whatever.
But do you think kids 30, 40 years from now, will be saying the same thing about the 20's?
No, no.

Output:
* The speakers discussed the stereotype of Australians invading San Diego and the changing perception of the UK from charming to less desirable.
* They debated the evolution of British culture, noting a shift from the "good old days" of stone buildings and sheep to a modern era of decline.
* One speaker expressed a desire to have lived in their parents' era to experience the music and stars of that time.
* The group acknowledged that while the past lacked technology like the internet and iPhone, people adapted to their circumstances.
* They concluded by wondering if future generations would look back on the 2020s with the same nostalgic criticism they currently apply to the past.


Input: How risky we talking? How risky was my, Well, last year it was four. Four times, uh, I think. - Jesus. - Three of them were food poisoning, though, so one. (laughing) One. - So aside from this time, the last time I got ill, was literally two years before this. - I don't get ill often. Very rarely. - I very rarely get ill as well. I very rarely get ill to the point where I cannot, I cannot work. - Function. - I need to actually take a rest and take a break. Because I feel like, uh, I don't know, I feel like my body, Obviously, this is all talking bullshit, I feel like body, even if- - This whole episode is bullshit. - Yeah. Because there's been points where Sydney has been fucking conked out in bed with a high fever and all that shit, and I get a mild cough. And that's just it. And she's conked out for two days, and I'm just like, (imitates coughing) "How you doing, honey? How you doing, honey? - This is why, - You need to get good. - This is why hospitals scare me as well, because when I'm around sick people, - That's right. That's how this whole conversation started. - Yeah. When I'm around sick people, I get way more scared of being sick. - Oh, yeah. Yeah, of course. - It freaks me out. - Of course. Yeah. - I don't know why. Is this a human reaction that we have? That we're scared of sick people? - I think it's pretty natural to be afraid of a hospital. - Yeah. I feel like that's a natural human reaction, - Because people die in a hospital. - because you are averse to getting ill. You are averse to getting ill. - People are sick. People die there. Why would you enjoy a place where people die? - Back when I got, Back when I had it? I mean, it's genetic, what the fuck am I talking about? I still have it. It's cute. That's cute. I'm cute. - Even if it is, it's just state of mind. - Just (grunts) that shit away. It's gone. Boom. Just like that. - It's like food poisoning. (laughing) Preventable. - I just got my five step course on how to get rid of any genetic illness. I had to go to the hospital a lot when I was a kid, because I had to get my blood tested every three months or something. Or every six months. Something like that. Anyhoo, far too often, for my liking. And I hated it because I had to sit there for four hours, get a test, wait, get another test, and get results and stuff, and then the whole time I was just surrounded by very, very ill people. And it was always just really scary as an eight-year-old. Then I keep growing up and just kep seeing this, I'm like,. "Uh-oh, uh-oh, oh-oh." And all the offices the doctors have are always really cluttered, are really messy, and I was always like, (grunts) - I think the one thing I hate about the hospital the most is the smell. - Yeah. The smell is pretty bad. - The smell of a hospital is just, It's hard to explain what that is. - Yeah. There was also- - It smells of illness. (Joey laughing) Literally. Like I said, when you're ill, and when I was ill, things just smell and taste different - Yeah. Of course. - Naturally. And it

Output:
- The speakers discussed the frequency of their illnesses, noting that only one recent instance was not food poisoning.
- They contrasted their own mild symptoms with Sydney's severe fevers, highlighting the disparity in their health experiences.
- The conversation shifted to a fear of hospitals, attributed to the presence of sick people and the association with death.
- One speaker recounted childhood trauma from frequent blood tests, describing the scary atmosphere and messy doctor offices.
- They agreed that the distinct smell of hospitals is a major source of their anxiety and discomfort.
- The group concluded that the aversion to hospitals is a natural human reaction to the environment of illness.


Input: 40 feet into the air before Gwen, you gather yourself again, holding on to both Lyra and the shield. Nicely done. Let's go. Up, up, up. Up, uh, up, up. For the first time, I've attached my propeller hand attachment. That's right. I'm going to spin it up and use it to fly down towards-- oh yes! -- towards Lyra and see if I can grab him with my-- Are you already holding him? I'm holding him, but you can take-- I'm here to help. What about me? You're probably stronger. Over here! Then I'll turn to go to Arthur. Fucking-- What am I?! I'll turn and go to Arthur. With Gwen holding and bringing-- Jesus, Lyra's fine! Wait, but where's Silas? Is Silas-- I got Silas. We're heading towards Silas. Silas's on the rope? We got Silas. I'm okay, I'm okay. You both have each other. You have Fly, you don't need the propeller. But it's so fun. As Nadia, reaching out from the side of the rope ladder grabs Silas's arm. You're going with Nadia? Yes. With that, you both begin to climb up the side of the ladder. You feel left behind-- I left Chet. -- at a good maybe hundred or so feet from the rest of the folk there. But it's so fun. Until you see Julian-- Coming with another buzz saw. Inspector Gadgeting his way in your direction. Let's do this! Don't worry! This one's okay. Okay. Take my hand! Ah! I'll grip it. Rip it. Ah! Fuck! And shoot up into the sky. You did that on purpose! I just picture Arthur like True Lies. Yes, yeah. Jamie Lee Curtis. Yep, pretty much. I've got Silas. I'm pushing Silas-- oh my god! -- over the side of the ship just to get her up. I'm also going to piss her-- pick her pockets while I'm-- You're going to piss in her pockets? I'm going to piss her pockets. I believe it. I'm also going to attempt to pick her pockets. I fail, never mind. It doesn't happen. Your hands are doing a lot right now. It was worth it. It was worth a shot. Goddamn it. It was worth it. I'm just going to stealth piss in her pocket. I'm upside down, I'll make it work. Fuck. The Nadia Special. Yeah. Jesus. As you all reconvene back on the deck-- Going to save that for later. -- of the partially damaged, but still mostly intact Silver Sun, it begins to pick up once more and head back northward direction. Can it still fly with two of its sails missing? It can. Oy. At the time being, it seems. All right, just taking stock. Everyone's okay? Everyone sort of made it back mostly in one or two pieces, right? You good? Relatively. Oh boy. Do you have backup sails, or-- We got materials to do some repairs on the way. Might cost us an extra day of movement, but we're going to do what we can. So just, sighs, I guess, anyone watching.

Output:
- Gwen, Lyra, and Marcus coordinated their ascent, with Marcus attempting to use a propeller hand attachment to grab Lyra while Maeve held him.
- The group successfully located Silas and transferred him to Nadia, climbing up a rope ladder to safety.
- Julian arrived with a buzz saw, and Marcus forcibly pulled Dorian into the sky using a "Nadia Special" maneuver.
- Derek attempted to push Silas over the ship's side to safety and unsuccessfully tried to pick her pockets while doing so.
- The party reconvened on the Silver Sun, which was partially damaged but capable of flying northward despite missing sails.
- Xandis confirmed everyone's safety, and the crew noted that repairs would likely add an extra day to their journey.


Input: in the rules. It's in the rules! The rules of the game say I can do this. That's awesome. Hell yeah. Incredible. I finally got a decent roll. Uh, you all feel something wash over you. A sense of helplessness, of momentum shifting. You reach towards the magic that you share with one another and shake it off. It is artificial and foreign to you, pressed on you by the magic of the Spider Queen that is trying to get you to leave Opal alone. Back up to the top. Morrighan, you're up. Did I see where Fy'ra was before we all got dark? Yes. So I did? Mm-hmm. Could I roughly estimate that perhaps I wanted to rabbit hop over to her? You could try. All right. I'm going to go, I'm going to yell out. Have you ever jumped in the pure dark? It's not a matter— Absolutely, I'm in Kymal all the time. It's dark all the time, and I'm in vaults, and those are dark. So yeah, obviously. Thank you. Pew, pew, pew! That's confidence! Obviously. I move in the darkness. I slither, I slide. And hop! I half believe it. She hippity-hops. "I slither, I slide." I hippity-hop and I pop. I slip and slide, it's dark in there. Casinos are all dark and seedy. You know how it goes. The Maiden's Wish was dark all the time. They had electrical issues. Do we have electricity? Yeah. In Exandria? On a small scale. I could make and AMF in the dark. Okay. In Whitestone. No, you're good. Sorry. No, you're good, you're good, you're good. The flames were bad. The candles were wet all the time. The candles were so wet! Why? Okay, I'm going to have you make an acrobatics check with disadvantage to bunny hop. Oh my god. It's not a matter of can you figure out how to jump, it's, the hard thing about jumping is knowing how to prep yourself to land when you don't see where you're going. What if I Misty Step? Does that change it? Yeah. Oh! Okay. I'm going to Misty Step then. I'm going to use my-- Yeah. I'm going to use my bonus action. Can I yell out to Fy'ra? Can I just yell out to her to place her with my big old ears that I have? Oh hold on. It does say, "You teleport up to 30 feet "to an unoccupied space that you can see." That does present a problem. All right, I'm going to-- A little blind jumpity jump or you can try to blind Misty Step. You know what? I just might hurt you to do it. I only have a plus two acrobatics, so that's why I'm like-- My athletics is really good. Yeah, this is more of a stick the landing so you don't give yourself a stinger in your big old bunny ankles. Wait, do I have, because of my Vow of Enmity, or because of Haste do I have-- No, that's just on attack. You get to add a d4

Output:
- Aabria clarified the rules regarding the Spider Queen's magic and instructed the players to move back to the top.
- Erica attempted to estimate Fy'ra's location to perform a rabbit hop through the darkness.
- The group discussed the darkness of the Maiden's Wish and the lack of electricity in Exandria.
- Aabria required Erica to make an acrobatics check with disadvantage to land the bunny hop safely.
- Erica proposed using Misty Step to avoid the blind jump, but Aabria noted the teleportation rules required a visible target.
- Erica expressed concern about her low acrobatics bonus while discussing the risk of injuring her bunny ankles.


Input:
God fucking damn it! And kicks the edge of it and shouts up to somebody else who throws down some sort of an odd leather bag and they catch and throw over their shoulder and start pulling through. You see them now trying to figure out how fix it and cursing themselves as you see more arcane sparks fly out. The sense of awe and wonder that you had kept for this is diminished slightly as the crowd begins to go about the rest of their business. The silence that seemed to have captured the center of this open area of the city now giving way to the general energy you're used to.

Was there a group insignia anywhere on that? Make a perception check. I hate my perception because that's just nine. Okay. Yeah, you didn't make out enough. At the time it was going by, you didn't get a quick glance. You could rush up if you want to to get a closer look. It's not like it's a hidden detail, but it's far enough away where you'd have to make yourself known to do so.

No. There's two options where that would be stupid. Do you think that was Paragon's Call? Ah, didn't give the vibe. My immediate guess is All-Minds-Burn, but I'd have to go over and check and then there'd just be this person going over there to check, if that makes sense. Yeah. I'm not really in the mood to have a conversation with those people.

However, not too far beyond where this display found you in the middle of the city, you do see the midday burning plumes of black smoke you do see the midday burning plumes of black smoke that burn from the rooftop burn piles that connotate the top of the three-tiered stone fortress that is the Seat of Disdain. Glancing beyond, there is a small wall that itself mimics the Carmine Curtain around the city only instead of a deep red sanguine coloration, this has a painted sky blue that is streaked from the occasional monsoon rains and left to give this weathered, melting sense to the exterior coloration. Beyond these crenelated walls that end in these large, jagged bits of broken metal. As opposed to fine metallic wrought iron pokers at the top, it is jagged bits of scrap that is aligned and set within the stone up top that, upon a closer look, you can't tell which parts are rust and which parts are caked blood. Even at a sideways glance, whatever can't cut will definitely hurt if something were thrust or to fall upon it. Beyond that--

Fall out. Sharp. Mm-hmm. The front gate that's nearest facing you to it is a tall wooden door that's been reinforced with iron fittings that are bolted inward and help reinforce it, because you can see the wood itself is rotting a little bit, but it's thick enough that it would take many, many years before it actually became a nuisance and the iron is just there to preserve it for as long as it can. Beyond the second and third tier of this fortress, which you can see is pretty standard rectangular design. Nothing fancy, nothing visually distinguishing beyond it just being a functional fortress. There are a number of ammunition slits for arrows, crossbows, or ballistae. There are a few lookout platforms that emerge, especially on the very top. There are four tall, curved spires that raise upward, made out

Output:
- A player kicked an object in frustration while watching an individual struggle to fix a device emitting arcane sparks.
- The DM asked for a perception check regarding a group insignia, but the player failed the roll due to a low result.
- Tim and Maeve discussed the possibility of the insignia belonging to "Paragon's Call" or "All-Minds-Burn," but decided not to investigate further.
- The group observed the Seat of Disdain, a fortress featuring black smoke plumes, a sky-blue wall, and jagged scrap metal atop its walls.
- Dorian and Julian shouted commands before the DM described the fortress's front gate, which was reinforced with iron to preserve rotting wood.
- The players noted the fortress's functional design, including ammunition slits, lookout platforms, and four tall curved spires.


Input: Do we have any legendary items? No. I mean depending on the item there might be additional benefits as well. Right. Dusk Hunger. We do have legendary. Oh shit who's going to take it? Dusk Hunger is legendary. Ishta is legendary. No it's gone. Wait. Harp of Valor is gone. That's what it was. Yeah. Ishta is legendary, Dusk Hunger is legendary. Mask of the Matron is legendary. We ain't touching that though. The fuck are we going to do with the Mask of the Matron? We're going to call her to help us. Yeah. Yup, totally. Do any of those... Did he just roll something? Did you just roll something? No, I just moved my dice. Oh. But that's fair. Do any of those weapons seem like they would compliment just in case the added bonus compliment anybody's vibe? I don't know. Dusk Hunger was cool. A psychic blade. Yeah, what did Dusk... Plus two to attack and damage, bonus action, ignite the blade with black flames or extinguish some of these flames or burning your attacks deal an extra 2d6 fire damage. They ignore fire resistance. While using this sword... Oh! You can use an action to cast one of the following spells: Searing Smite, Blinding Smite, Elemental Bane, Flame Strike. Each spell can only be cast once, it cannot be cast again until you complete a long rest. I feel like Chet could use an upgrade right? Because no offense Chet but you have a hard time unless you're up close to people right? I got a scythe. I don't know what you're tripping on. The Summit Blade deals an extra 2d6 force damage. If that's a thing. Who's taking it? What if we roll for it? Let's roll for it. Rollies? Okay. Well what are we rolling for? Who's going to swallow it? Yeah. Dealer's choice. What was the last one that we... Before we do that. Force damage. Fire damage or force damage? The last one that was eaten up was... The harp. Harp. I'll abstain. Yeah. I'll also abstain because I took... But who ate the harp? I'm trying to remember. He did. Robbie did. I did. All right. What is it, highest gets it or the lowest gets it? Highest gets it. Highest gets it. Fucking shit. Ah, fuck! Three. Two. Nat 20. (groans) Oh, you got it. Oh, nice! Nat 20 on Rowan over here. Fire or force? I'll take fire. Ooh! Let's get weird. All right, put on the Array, big boy. Okay. Yeah, okay. (laughs) All right, so they strap you in to the Quintessence Array. Minor panic attack. This did not go well last time. Okay. Strap you in tightly into the Quintessence Array. I whack him in the nuts as his arms are up. I already, ready to block. Both of you make... It doesn't work. Ow! Okay, then you're good. (laughter) Well played. Rock on. All right, man, let's go ahead. Fuck. As Dusk Hunger is placed to the exterior of the Quintessence Array's funnel, thank you.

Output:
*   The group identified several legendary items including Dusk Hunger, Ishta, the Mask of the Matron, and the Harp of Valor, debating whether to take them.
*   Julian described the specific magical properties of Dusk Hunger, noting its ability to cast spells like Searing Smite and deal fire damage.
*   Aria suggested upgrading Chet's weapon, while Marcus and others debated between fire and force damage options for the Summit Blade.
*   The players decided to roll for the item, with Marcus rolling a natural 20 to win the right to choose Dusk Hunger over the force damage option.
*   Marcus attempted to strap the sword into the Quintessence Array, resulting in a minor panic attack and a physical altercation where Julian whacked him.
*   After the struggle failed to work properly, the group laughed, and the DM narrated the final placement of Dusk Hunger into the array's funnel.


Input: to succeed. uh, that's a lot of ones. Two, that was two, six, 12, 14, 25, 29. 29 points of fire damage reduced by half to 14. So as you come on the ground, you hit the ground with your hands and watching as all of a sudden these multiple piercing, burning fuses of arcane fire snake through the red ground before they vanish below. thank you. There's a pause before it explodes beneath, like this giant pillar of fire. It lifts off the ground. And lands. And turns in your direction. Oh no. And I sort of lower four inches down into the bush. Okay, you got it. All righty, that brings us to Sarah's turn. I need you to make a death saving throw, buddy. Oh, here we go, no problem. All right. Come on. Better than a 10, right? Yeah, better that a 10. That's all you need. 10. What-- is that? I think it's 10 or above, yeah. So that's a success. It's nine or lower that you-- Good, good, good. Sarah's not dead, dead. I am sweating. Yep. Sticky hands. Yeah, yeah, yeah. All righty. How is he still alive? At the end of Sarah's turn, it's going to use another legendary action to go ahead and shift forward. No! Oh no, oh no. Right up to there. Don't gore my wizard. Nadia and Lyra, your turns. When I gore the wizard. Okay. I am going to have my duplicate step forward and cast Toll the Dead, so a giant bell is going to appear over him. Okay. Ring his bell. He's made of metal, so I'm hoping that'll hurt extra extra bad and it's a wisdom save. Wisdom save, that's a failure. Roll damage. That's 3d12 because he's already taken some damage. Ooh! 12 plus eight is 20. Plus 11! Holy moly! That's 31 points. Not bad, yeah. Yo! Toll the Dead?! Yeah, fucking Toll the Dead. Good cantrip when it hits, man. It's that cowbell. All right, and then I'm going to-- It's a cantrip?! Fuck! More cowbell. At 3rd-level, I'm going-- my person, actual Nadia is going to shoot their hand over and look at Sarah and say: Get up, man! And she's going to cast Healing Word. You got it. The third time. In the whole campaign! That's 3rd-level, so that's 3d4. Two tonight! Wow! That was crazy, wasn't it? It was. Five-- eight plus five. Any is good. 13. Five, eight, plus five? No, no, eight plus five. 13. There you go. All right, finishes Nadia's go. Lyra, you're up. Wow, that changed things. So I'm going to start back, heading back up that way a bit. Whereabouts? Heading in that direction is 30 feet and while I'm rocking I'm going to cast... Blight on this thing about-- There? Whereabouts? Oh no, like, straight towards the bull. Cool, right there? Yeah, as far as I can get. That's about there is as far as you can get. And while I'm running, I'm going to cast Blight on the bull. On the bull? All right. That's a-- What is that, that's a-- Give it Mad Cow Disease? Yep.

Output: - The DM described a giant pillar of fire exploding and turning towards the players, causing Marcus to hide in a bush. - Sarah made a death saving throw, rolling a 10 which resulted in a success, preventing her from dying. - Kaelen cast Toll the Dead on the bull, dealing 31 points of damage after a failed wisdom save. - Kaelen's duplicate, Nadia, cast Healing Word on Sarah, reviving her for the third time in the campaign. - Lyra, played by Maeve, moved 30 feet and cast Blight on the bull, jokingly referred to as giving it Mad Cow Disease.


Input: the pain of psychic thorns pulling past you as you have to push your way out of it. As you do, you hear the words of Elias, and you glance back from where you were coming from, and you see the space expanse begin to vanish. You look back to where you were headed and you see this series of crystal chambers imprisoning Elias. Can I go towards him? You drift over in his direction and then (small taps) place your hands on the outside of this prison. It's like Kirk and Spock. Khan! Which one's which? You're Spock. Okay, okay, okay, okay. Okay. Can you see me? I'm my own death. Can I see her through the glass? You can. Hi. We might have made a mistake here. Uh-huh, looks like. How do you get out of-- How do you get out of a dream? How do you wake up from a-- uh, how does Nadia look to us, Silas and I? From what you can see, Nadia is still repeating the phrase over and over again. The other nostril is now bleeding and it's like dripping off the chin. Uh, how do Nadia and Julian look? They're both eyes closed, concentrated, focused, and not really reacting. Does it cancel the other one? Lyra is daubing blood away and he's got nettle leaves poking out through all his fingers trying to help the bleeding as best as he can. I'm going to turn. Am I still Nadia? Am I Nadia or am I looking at-- No, you've pulled from that memory and this is the first time you look at yourself, right? Mm-hmm. You're no longer in the memory. You are just standing there. You look down at your hands and you have Nadia's hands. Oh wow. It feels kind of nice, though. Concentrate on my hand. Try to push through. Push through? Push through the glass. sighs All right. I will push through. I'll push through the glass and try to reach her hand. I'm going to cast Sending on Nadia. This is weird. I'm also going to cast Command on Nadia, if I can. Oh, well, shit. You do that. You needed to see the target of command. Okay. Can I cast it on myself? You are indeed an Nadia-based target. Whoa, this is some brain bubble shit. Some good shit! So you cast Command on yourself. What do you command? Awake. All right. Nadia, I will ask you to make a wisdom saving throw for me, if you don't mind. That's his highest stat. Yeah. 15. What's your spell DC? 14. 14. I say: I'm too strong for myself! Oh shit. Oh boy! That's the best roll I've had all fucking night. I know. As you look at your hand and make the command, your voice echoes, "Awaken, awaken, awaken, awaken, awaken," and you hear glass. The sound of cracking crystal begins to echo around. Okay, I'm going to cast Sending on Nadia, and all around us, you're going to hear my voice. Nadia, this isn't real. We're trapped. You need to calm down and wake up. This isn't real. You're fine. Wake up.

Output:
- Marcus pushed through the psychic thorns and discovered Elias imprisoned within crystal chambers while Maeve and the group realized they were trapped in a dream.
- Marcus looked into the glass and saw himself as Nadia, confirming he had pulled from a memory and was no longer inside it.
- The group observed Nadia bleeding from the nose and repeating phrases, while Cedric attempted to help her with nettle leaves.
- Marcus decided to cast the Command spell on himself to command Nadia to wake up, setting a spell DC of 14.
- Marcus successfully rolled a 15 to succeed, causing his voice to echo "Awaken" and triggering the sound of cracking crystal around them.
- Maeve cast Sending to communicate with Nadia, telling her that the situation was not real and urging her to wake up immediately.


Input: 21 for perception to see what he's looking at. Okay. You see something shifting underneath the cowl that's put over the shoulder, it's there's movement over here. Like he's got a creature in his pocket? Or a third arm or something. I rolled a 23. Just look around there. Okay. Quaid! So-- The weasel. Looking around, the only real exit is the entrance where you all, and this figure came in. There's no windows here. It's a sizable storage shed, but it's just a storage shed with no other discernible exit. Yeah, you see something moving here and looking at you, you see this conflict in its expression. Its thick brows are turned upward and a knotted bit of being caught in their own decision making process. It's okay, it's okay. But this-- You see as he-- Do you have a little friend? Can I hear any distress in their brain? You hear distress, and you hear, It's too young. It's too young. You hear this faint noise go, Oh! You see the figure, I need to talk to someone. I-- Wait, wait, wait, wait, wait! Wait! Kill them. Wait! Please, we just want to have a conversation, and then we'll leave, and you won't-- Where's this person you want to talk to? The Imperium. No. No, no, no, no, no. No! Well, I-- Please, our lives are depending on you. If you turn us in, they'll kill us. What's your name? I am Dono. Dono? Do-- You don't know? Don't know? Or your name is-- Dono. Dono! Dono! Dono? Dono! Dono. Dono, Dono. You-- Unbelievable. Uh, Dono. Did you notice that? Don't know! I don't know! Oh! Wait, I am going to-- Dono. Dono. Stand by, stand by. I don't know. What are you yelling for? I don't know! Okay, I am going to-- We're going to die. -- create a little flower, a little Druidcraft. Oh, nice, nice, nice. A little flower. That's really smart. With a beautiful lavender calming scent, but it's just a beautiful purple flower. Okay. You create the flower. He's backing away, still holding the glowing amulet-- He's never seen a flower before. -- that he had procured and stops, looks at it. For you, if you want it. In his head, you hear, It's too many tests. I don't want to fail it. Oh no! I was trying to give him a present. There you go. Big old meaty fingers. Takes it carefully and then moves it down, and you watch as underneath the robes, these two, what you didn't see, a much smaller additional set of folded arms that are right in the sternum area come out with these long, thin, very dextrous fingers-- Is it part of his body? -- that grab the flower and begin to turn it over in his face as he glances. The bigger ones, not suited for delicate maneuverability. But there was a voice, too. As it looks at it-- Was it the baby? -- you hear that weird babbling again. The cloak

Output:
- The party investigated a figure hiding in a storage shed and discovered a creature concealed within the figure's robes.
- The figure, who identified himself as Dono, expressed distress about failing tests and the youth of his companion.
- The group attempted to de-escalate the situation by offering conversation rather than violence, while Gideon initially suggested killing the figure.
- Borlan cast Druidcraft to create a purple flower with a calming lavender scent to present to the figure.
- The figure accepted the flower, revealing a hidden set of smaller, dextrous arms beneath his robes to manipulate the object.
- The figure heard the group's intentions in his mind and continued to struggle with the fear of failure.


Input: can I help you? I'm looking for a present. Of course. What sort of present can I find for you? Something that looks fabulous, but doesn't cost too much money. Looks over to his associate, who gives a nod and pulls a small satchel out and begins pulling out these-- they're wooden drawers about that big and sets them out. These are generally more of the-- uh, it'd be considered costume jewelry but not quite as poor. They are presentory, but, you know, affordable for those of us on a squeezed copper. Right? Nothing too ostentatious. I want it to look believable. Understood, understood. Begins pulling out bracelets and dual finger cuff rings and singular rings that all, you can see at first glance are polished well, but a discerning eye would see a lot of these are bronze, brass that are just polished and plated to look like they're worth more. Any particular preference that you'd like to pull from this? Sure. I'll look at that double finger knuckle ring thing. Okay. It's two fingers that are affixed with a single bar on top. Across that bar, there is elemental writing on it. How much is this? For this? Let's say three gold. Mm. All right. If I wanted to be serious and get something real? Well, I mean. He leads you over to the glass case that has a number of the other pieces of jewelry and pulls out the same drawers from earlier with Dusk and begins to reveal the other rings and such. These go upwards more like 50 to 100 gold pieces and more depending on what you're looking for. How about that little one with the ruby? Oh, this one? This would be a 65 gold pieces. 65 gold. All right. Yeah, I'll get that one. All right. I'll get that one. Wraps it up. Could I get a receipt, please? Well, certainly. Yes, yes, yes. And what's your name, sir? Oh, Adon. Adon Hiro. Adon Hiro. Nice to meet you. Pleasure. What is your name? Adon Hiro. Jenny. Jenny. Make a deception check. Ooh. Mm. Mm-mm. Come on. Come on. 15. 15. He goes, "Pleasure." Finishes writing up this receipt. That's right. Folds it up. Just Jenny from the block. Takes it and tucks it into the case with the ring and passes it over to you. Jenny. Thank you. Of course. Feel free to come by should you require anything else. Thank you very much. Mm. Adon. All right, I head back. Okay. You return to the rest of the group. All I'm saying is-- Wow. -- a vehicle of some sort.

Output:
*   Maeve entered the shop and asked for an affordable, fabulous-looking present that appeared believable rather than ostentatious.
*   The shopkeeper, Adon Hiro, presented a selection of plated bronze and brass jewelry, including bracelets and rings, before showing higher-quality items in a glass case.
*   Maeve selected a ring with elemental writing priced at 65 gold pieces and requested a receipt.
*   Adon Hiro processed the transaction, and Maeve performed a deception check regarding her name before receiving the receipt and the ring.
*   Maeve identified herself as "Jenny from the block" and returned to her group, where Elias began discussing a vehicle.


Input: Clara onto the ground. What the fuck? They're on the ground, dying groans, bleeding out. As a bonus action-- Bleeding out. Mm-hmm. -- can I take half their damage to myself? Yeah, you can. Okay. Oh, snap. Wow. So they only take five. Wowsers. Meat Shield ability. We didn't know that was a thing. We're learning. We're learning, we're learning. You know how you don't learn their abilities? You're learning, I'm not doing anything. By getting captured. That's true. You were the one that was leading the attack them fray. I am very happy right now. All right, so they stumble to the ground, prone. It's sticking into their chest for a minute, like-- I'm so sorry, I'm so sorry! gasping for breath. I missed. They blink and the dark eyes return for a minute. What's going on? I don't know. Do you want to move, or stay put? Elias! Speak words of comfort to them! You're going to be fine. Everything's all right. I'm a dreamer, this is a dream. You're having a dream right now. Everything's going to be-- I'm in a dream. Okay. This is a dream. Everything's going to be fine. Why does it hurt? In six seconds, his eyes are going to flash. I'm not going to move. I'll move off to the side if someone wants to get around me, I guess. But I want to stick close to the door. You got it. All right, finishing your go, Elias. That brings us to the top of the round, Fiona. Okay. So Fiona is going to step diagonally-- Meat Shield. -- into the doorway. Meat Shield! Okay. As soon as he gets there, he quickly sizes up what's going on, looks at the Willmaster. Uh-huh. I'll say that his eyes go a deep, deep green. He's going to start running forward, casting Hex as he goes. Okay. Small little black blooms, almost like Druidcraft, start to blossom out of the Reiloran's chest around the neck and small little tendrils. Fiona's going to slide under her legs. I should have 30 feet to get right behind her. Oh yeah. I will start to attack her using the flat of Seedling to do non-lethal damage to try to continue to knock her out. Go for it. That is a-- 22 to hit. 22 to hit. You strike and you watch the nearby figures pulse, their muscles try and go, but you're too quick and you strike the Willmaster. So roll damage. Okay. All right, so that is six plus six is 12, plus a d6 for the Hex. So that's 15 for the first smack to the side of her noggin. Nice. Leaping there and doing the next is a 22 to hit again. 22 to hit. This strike, as you go to swing, one of the local farmers darts right in front of the way and blocks the Willmaster with their body and you strike them across the chest. Well, it's still non-lethal, so knocking, so that's 15 points.

Output:
- The group reacted to enemies stumbling to the ground and bleeding out, with Sarah attempting to mitigate damage using a Meat Shield ability.
- Sarah apologized repeatedly for missing a shot while the enemies' dark eyes briefly returned, prompting Gideon to urge her to offer words of comfort.
- Sarah attempted to reassure the injured party by claiming they were in a dream, though the group found the situation humorous.
- Kaelen moved Fiona diagonally into the doorway to position her behind the Willmaster, casting Hex and preparing a non-lethal attack.
- Kaelen successfully struck the Willmaster with a flat of Seedling, dealing 15 points of non-lethal damage, and then struck a nearby farmer blocking the path with a similar attack.
- The round concluded after Kaelen's attacks, with the DM confirming the damage rolls and the outcome of the non-lethal strikes.


Input: to, come on, come on. I don't want it. um, just come on. I don't want it. I just collapse into Gwen. Okay. watching. I'm a terrible friend. No, you're not a terrible friend. What do you cry by the way? What is this shit? I'm sorry. Sometimes it comes out as a little black and inky because... It's cool. No, I like it, it's cool. It's just, I wanted to make sure it's not going to stain anything. Do you want some friendly advice from someone who has literally pissed off everyone they've ever met? Okay. I don't need to know what happened. It's your business. I broke her rock. Oh god, it was one of the shiny rocks, wasn't it? Yes, she loved it so much. Then I killed it. Was it an accident? Yes. I don't think so. This is so much more than I bargained for. Sorry, I've got black snot on your shirt. It's seen worse. Really, it has. Are you sure? Oh, maybe not. Fuck. Okay, but. Oh, so. The skirt... did... wipe. It's what it's there for. Maybe you should focus on an apology that's related to the offense, if that makes sense. Maybe, maybe let's focus on instead of-- I should prostrate myself on the ground. No. On top of a spiky rock? I mean-- Let her step on me. I'm not going to tell you not to do that because that would be kind of cool, but no. I think maybe we've got to figure out a rock-based apology, if that makes sense. I said a spiky rock. Yeah, but like-- Like, thematically? More than thematically, like an understanding of the offense, if that makes sense. An apology that actually speaks to what happened. Do I have to get her new rock? I mean-- Putting some energy into a new rock might not be a bad idea. Okay. So maybe we need to find you a nice rock for Arthur. Do you think that would help? Would that feel a little better? I feel a little confused on the messaging. I'm working with what I got here. I can try and find her a new rock. I should've got her the t-shirt, but Silas-- I don't think the t-shirt would've-- Wait, what's happening right now? Ah! We should focus on-- No, no, this sounds very important. No, it's really-- I came in at the tail end of it. Is Arthur coming? You were just inside-- Wait, is Arthur coming? -- the belly of the

Output:
*   Cedric collapsed into Gwen while crying and admitted to breaking a shiny rock that belonged to someone he cared about.
*   Tim offered advice, suggesting that Cedric focus on a rock-based apology rather than physical gestures like prostrating himself on a spiky rock.
*   The group discussed replacing the broken rock with a new one for Arthur, though Cedric remained confused about the messaging.
*   Cedric mentioned he should have bought a t-shirt for Silas but realized the t-shirt might not have been the right solution.
*   Clara interrupted the conversation to ask what was happening, noting she had arrived at the tail end of the discussion.
*   Elias and Cedric attempted to clarify if Arthur was coming, with Elias mentioning the character was inside the belly of something.


Input: Oh my god. Uh, laughter. I can't! I can't. Lingering laughter. You know, when I first saw you at the Maiden's Wish, I thought, oh no. Another pretty girl. But then I got to know you and I was like, oh wait, actually, if we put our heads together, we can do anything, and look good doing it. I love that for us. I know that sounds really stupid. No! But, there's nothing like being underestimated. Under promise. Over deliver. I like that. Me too. I think you're really pretty, too. I think we're both pretty in like different ways. Totally. So it actually really balances it out. Absolutely, yeah. Yeah. Hey, I think you're so good at so many different things. If this doesn't feel like the right purpose for you, then maybe it's just a purpose for a season. You don't have to stick to it. I mean, I have to stick to this. It's stuck to my head. I've tried to take it off. It's on there. It's on there good, yeah. Then she shows her real look, and it's just gruesome. Oh, oh my god. Yeah, sorry. Morri, it's getting a little infected. What? It's getting a little infected. Oh, okay. Oh, yeah, yeah, yeah. I know, I'm trying my best. But if you just need someone to give you permission to just follow your heart, you have it. Thank you, Opal. You're welcome. You feel yourself move back from that. Those gems that you claimed here the Spider Queen can never take, and Opal keeps a pillar of her personality and a connection to you. Aw, that's so cute. Who are you saying that to? Aw, that's so sweet. I don't know, I'm just holding these gems! Aw! You just hear: Under promise-- Over deliver. Aw, and I look and I see her blood on these dick gems. I'm like, how could I have done that to her? How could I have hurt her like that? Yeah. Okay. Anything else? I don't think-- Scrillion points of movement, if you're trying to-- Oh yeah, I have a septillion point. be somewhere else. Yeah. I'm next to Fy'ra. I actually think I'm good, question mark? I'm out of the dark, right? Yeah, you're good. Okay. Yeah, sure. I'll just hang out. The question mark killed me, that was great. See what happens. I'm on it today. Amazing. Dorian, you're up. Fy'ra Rai, you're on deck. After this deep, true, feminine bonding-- Cyrus was in the background of that flashback like-- It's bad. All of you saw that across the telepathic bond. Aw! The moment you interacted with those gems-- So sweet-- you triggered the memory of it between the two of you, but because you are all telepathically bonded, it is something you all-- That's cool. Love that. Those of you that weren't there get a new thing. So some of you have that strange instance of: Oh, I was asleep right there, but now I'm getting a different viewpoint of it. Wow. Which is weird. Oh. Do

Output:
*   Aimee and Erica engaged in a heartfelt conversation about their friendship, mutual beauty, and the concept of under-promising and over-delivering.
*   The group noticed that a character named Morri had an infected wound, prompting concern and a discussion about the "real look" being gruesome.
*   Opal provided emotional support and permission to follow one's heart, while Aria explained how the gems claimed from the Spider Queen remained safe.
*   Erica expressed shock upon seeing blood on the gems and questioned how she could have hurt the character involved.
*   Aria announced that a telepathic bond allowed all players to view a memory of the gem interaction, even those who were asleep during the event.
*   The session concluded with players confirming their positions, with Erica moving next to Fy'ra Rai and Dorian being called up.


Input: to, I don't know, accept something, I feel like it does play some kind of conscious affect. Because you hear, You hear about stories about people who have a deadly illness and because they have the will to fight it, some people are able to fight through the illness, and some people are more inclined to give in. So I do feel, based on zero, zero fucking scientific proof, and just based on total anecdotal evidence, that there is some kind of effect that your mentality has towards illnesses, sometimes. Not every time. uh... People, I'm not saying everyone who died from cancer being like, You obviously didn't try the fucking, You obviously didn't try hard enough - You didn't want it enough. - You didn't fight it hard enough. - You just have to get good. - Cancer is just the, "Dark Souls" of illnesses, guys. Come on. You just got to get good, man. uh... You just got to get good. I'm not trying to say that. - That's why I'm saying it's with little things. With colds and stuff. I feel like when I'm way more up for being like, "Fuck you. I'm going to just continue with my day, mentally." I don't know why. - It's not like you do anything to actually prevent it. It's not like you take a fucking, You eat honey or whatever. - I go out of my way to not take anything. I never take pain killers. I hate taking them. - To me, taking pain killers is the point where I admit defeat and I am actually ill. Do you know what I mean? Even this time, when I could feel my body getting ill, I was like, "No. It's not it. I'm not ill." I'm not going to go out, obviously because it's a pandemic, but I'm going to keep working. I'm going to go by my daily schedule, and I woke up and I'm like, "38. That's a manageable fever. I'll get tested. Come back. " - I don't know. 38's pretty fucking high. To me it was manageable until, I remember sitting at my PC on the first day that the symptoms started rolling in. Obviously, at this time, I didn't get any of the test results, so I had no idea, It could've been a cold for all I knew. I remember sitting down at the computer, trying to work, and it was just, as the day went on, I was like, "No, body. Don't do this. You're not ill. You're not ill. Come on, body. You can power through this." And I remember, it was around five o'clock, where I was staring at the script, and I was trying to get shit done, no words would come out because I was just too tired. I was like, "Okay. I'm absolutely fucking ill. Let me take some fucking medicine. Let me take my temperature again. Let me do the fucking- - I can just imagine you sitting at your computer and just (imitates Garnt) (Garnt laughing) It's like, "Oh, God." - Sometimes you're like, "Shit. My willpower wasn't enough to beat this minor cold. - Yeah. - Yeah. - Shit. - Who would've thought. - It's just a perception, man. It's a perception. - It seemed that, I don't know, painkillers and stuff like that, I have friends who, They'll take a painkiller the moment they even get a slight headache. But I'm always really worried because then they, the same people, this is completely anecdotal, They're just like, "Oh, yeah. It doesn't watching

Output:
- The speaker argued that mental willpower might influence a person's ability to fight illnesses, citing anecdotal evidence rather than scientific proof.
- They compared cancer to the video game "Dark Souls," suggesting that one must "get good" to survive, though they clarified this applies more to minor colds.
- The speaker described their personal refusal to take painkillers, viewing them as an admission of defeat rather than a medical necessity.
- They recounted a specific instance where they tried to power through a fever of 38 degrees while working at their PC, ignoring symptoms until exhaustion set in around 5 o'clock.
- Upon failing to work due to illness, the speaker admitted defeat and prepared to take medicine, a moment they humorously compared to a character named Garnt struggling at a computer.
- The conversation concluded with the speaker noting that while they avoid painkillers, they worry about friends who take them at the first sign of a headache.


Input: she comes in, I'm going to start wandering around without bumping into anybody if I can, using my Blindsense to see if I can see any other invisible people around. uh, interesting, make an acrobatics check. Arthur: Okay. Wow, that landed on top of another die. uh, I saw that. Arthur: Should I take it? yeah! Arthur: It's 19 plus 10, 29. Julian: Yeah. You're not just dodging through the crowd, you are pirouette-ing and leaping and corkscrewing and yeah, it is-- Julian: Catherine Zeta-Jones. (laughs) If anyone could see you, it would look like the coolest display of Capoeira. You're just leaping and spinning through the crowd and between people, but keeping it to the beat of the music. It's awesome, but nobody can see it. Tim: Otis ain't shit. You do not sense anyone mysteriously invisible in the chamber around you, aside from Beauregard. Arthur: Oh, there you are. Rowan: Are there exposed beams in this place? On this? Yes, there are. It is a higher ceiling here on the base floor. I'm going to do some dope monk shit and I'm going to get up in the beams, so I can patrol from the top. Make an acrobatics check, super easy. It'll be hilarious if I fail. That's why I had her roll, just in case. It's fine, 23. Easily done. There are easy footholds on the various planks in the wall and you just (effortless grunting) and you're up there with nary a sound. Any sort of slight impact or noise is drowned out by the surrounding din. No worries. I'm just going to patrol from above. You've got it. You watch as she comes and joins across your sitting arrangement. Pulls the hood back over her shoulders. Smiles a bit before leaning forward. It is good to see you, Bren. It's good to see you. Have a seat. thank you for meeting me on such short notice. I don't know, I'm very nervous here. More than I have been on our past meetings. I've sort of been trying to rehearse all day what I would talk to you about here. And none of it seems... appropriate. Things okay here after our dinner? She glances about the room. They've been interesting. You and your friends traveled to Eiselcross at the behest of Vess DeRogna? We did. Come on, let's dance. And I take her by the hand and lead her onto the middle of the floor. She goes along willing. And as you both begin to dance and the tune here is a little more of a rhythmic sway. So, it's easy enough to engage, but interesting, it's been a while since you've been in a position to try and lead, but your partner is also often switching and taking the lead. There's almost a duel within the duet of a dance as she comes by and brushes past your ear and whispers, keeping it covert while looking over your shoulder. Ludinus has been keeping an eye. Never one to trust Vess. So he requested you be tracked by Volstrucker. So we followed you. How far did you get? Well, quite a bit until you came to a base of a mountain range and turned into birds. It's hard for us to follow those who polymorph, but you need to be careful. Ludinus is very well aware of what has become of Vess. He knows of your proximity. watching

Output: - The character Arthur used Blindsense to navigate the crowd and successfully performed a high-level acrobatics check to leap through the room.

Output: - Rowan decided to climb into the exposed beams to patrol from above, also succeeding with an acrobatics check.

Output: - The character Tim initiated a conversation with a woman named Astrid, expressing nervousness about their meeting.

Output: - Tim led Astrid onto the dance floor, where she whispered a covert warning about Ludinus tracking them via Volstrucker.

Output: - Astrid revealed that the trackers had followed them until they polymorphed into birds at a mountain range base.


Input:
Elias: Who knows why mad people... uh... Kaelen: It's so uncomfortable. Elias: -- do what they do. Thank you.
Gwen rolls high enough to see into the real dimension. Watching.
Arthur: Yeah. Why do they have dice? What does that mean? Uh, yeah.
Dorian: Atreyu, call my name! Oh my god.
Elias: Sighs.
Arthur: Oh my god.
DM: What an existential crisis everyone would have. Fiona: Yeah, yeah.
Dorian: Oh, it's Bastian. My bad. DM: Yep, Bastian. Clara: Sighs.
Dorian: Okay. Clara: How dare you? Dorian: How dare!
DM: Moonchild! Which you can't even hear in the movie. Dorian: I know, yeah.
DM: Anyway. Eventually you push past and get up to the edge. Kaelen: Moonchild.
DM: Looking up, you can still see the beam of the bridge coasting up to the red Ruidus moon. You can see some of the heavy clouds that looks like a storm just passed over maybe a few hours before, and is now moving away. The open night sky, the welcome sense of familiar air, and being outside of the immediate space of tension is very, very welcome. You, looking around the perimeter, can see multitudes of defensive weapons that have been set up. Some look like there of a Ruidian make, some of them have been moved from other parts of Exandria. There are multitudes of designs, different cultures pulled together, as well as some unique cobbled weaponry that you're not entirely familiar of how they would function defensively or aggressively, offensively even. But you recall the basic direction of where you were brought here from the west-side encampment where you were carried via Silas. Looking at the vicinity of where things are set, Gwen, especially with that 30 perception, you'd know which direction is west from here and what would get you probably closest to that encampment.
Clara: Okay. All right, so I'll point that out. Are there still skyship wrecks all around as we move through that? I remember that.
DM: Oh yeah. There's a unique graveyard around the exterior of the excavation site that includes numerous destroyed skyships, numerous destroyed military siege weapons and wagons. As you continue to walk through, not being bothered by any of the exterior watchers who don't immediately take any sort of interest in the robed figures, slowly doing a perimeter around the southern edge. The only time that they would probably draw any attention is when you just start walking out into darkness as a troop. But as you pass through here, you can see all matter of large craters that have slammed into the surrounding ground. Signs of mass detonations, the land itself scarred by recent battles. You see bits of armor. You recall before seeing this. You can see along the outside there are pikes that are adorned with trophies. You see different temple-themed armor sets, You see different temple-themed armor sets, pauldrons and chestplates that are adorned with the symbol of the Moonweaver. You can see holy symbols that are hung on the edge of iron spikes that are jammed into the ground that hang and dangle, where at the end of the chain, you see swinging a medallion of the Duskmaven. You can see all manner of captured holy imagery You can see all manner of captured holy imagery that now is set upon the outskirts of this site as a warning and as a sign of pride that any who steps beyond--
Arthur: Do see-- Clara: Changebringer?
DM: -- stops here. Arthur: Do we see any symbols of the Changebringer?
DM: With your...

Output:
- The group discussed the nature of mad people and the discomfort of the situation before the DM described Gwen rolling high to see into the real dimension.
- Dorian mistakenly called out Atreyu's name instead of Bastian's, leading to a correction by the DM.
- The party pushed past a barrier to the edge of the site, where they observed a beam of light heading toward the red Ruidus moon and heavy storm clouds moving away.
- Gwen used her high perception to identify the direction of the west-side encampment and recalled being brought there by Silas.
- The group walked along the southern perimeter, noting a graveyard of destroyed skyships, siege weapons, and large craters from recent battles.
- They observed defensive pikes adorned with trophies, including armor with the Moonweaver symbol and medallions of the Duskmaven hanging as warnings to intruders.


Input: hammer, it's designed for this type a show experience. You get the sense this hammer would not be the most effective for this. It might be intentional. It's your turn, people start gathering. You're up on an elevated two foot platform there. They have the metal bar fulcrum, all set beneath the stone. Hammer's in your hands, what do you do? Okay, so I would like to rage. Uh, just strength? This is a strength check, yeah. You have advantage while you're raging. Roll twice, take the higher, and add your strength modifier. Oof. Okay, 17. 17. Um, thank you. You hit the metal bar, the stone falls back into rest. It's a heavy stone. What are we trying to do here? The stone is resting on the lower part and there is a fulcrum round centerpiece to it. You're trying to hit on this end to push the stone to roll over. It moved slightly and falls back into place. Good try! That was very strong there, lass. Don't worry. Well, I have another go. Well pay another. I did. I gave you ten. Oh you did? Tell me this when you're counting this, bud. Go ahead, second swing. You get another swing, yeah. You get advantage while raging, so-- 24. Ooh! You pull back, and the one guy is looking over to one of the mates on the side and starts laughing. Suddenly, the stone shifts, slams on to the other side. All four of them go, gasp. Watching. Kaelen! Now suddenly the crowd around, that you didn't notice gathering, start cheering: Yay! Looks over to the one guard who had the pouch, Okay then, congratulations. Thank you. Hands it over. Can I count it? Yeah go for it. You take a moment to count through, while staring at him. It comes out to roughly about 43 gold worth of silver, including the ten silver that you put into it. Or not including the ten silver, so in addition to that. It would be 44 gold worth but it's mostly silver pieces. Oh shit, how much-- About seven feet away, out of habit, Derek just went counting. That will buy us so many candied apples. All the guards go over and shift the stone back over onto the fulcrum. They pull in and bring out about a gold piece each, to throw five gold back into the pot. They go, All right, back up. Who wants in? She's next. Oh, well all right. Five gold is-- all right. I'll toss in a gold piece just to make it interesting. Oh yeah, no, I'll do that when I see you going in. What!? You guys. The guards are going, Wait, into the-- You're going to play, right? For the game, right? I will take that bet. I'll bet against her. What? Sure. I got one gold that says she cannot do this. I'm the booker, so you pay me. I don't think that's how that works. I roll for strength check? Yup, roll a strength check, add your strength modifier. Natural 20! Resounding impact. As you slam down again, the stone goes impact. It rolls over a second time. Two in a row. Seemingly, the fulcrum set after you knocked it over prepared her for

Output:
- Gideon attempted to lift a heavy stone using a hammer on an elevated platform, making a strength check with advantage while raging.
- After a failed first attempt that resulted in a score of 17, Gideon succeeded on the second swing with a score of 24, causing the stone to roll over.
- The crowd cheered, and Gideon received a pouch containing approximately 44 gold worth of silver from the guards.
- Fiona decided to play the game next, prompting Derek and Marcus to place bets against her ability to succeed.
- Fiona rolled a natural 20 on her strength check, successfully rolling the stone over a second time to the delight of the spectators.


Input: the dust. Gross. Yeah. Yeah, what? Disinfected in formaldehyde as well. Yeah. It just smells like chlorine. No. It has a feint chlorine smell to me. No. Maybe the dentist I go to. I don't know if it it's- What were they shoving in your mouth, Joe? thank you. I don't know if they're next to a pool or whatever, but it smells like chlorine. How often do you guys go to the dentist? I try to go twice a year. Just as a check up. When it hurts. I think they say... Do you put it in your, Because British culture, British culture. We don't go to the dentist a lot. And I only really started going, Actually I would normally only go to the dentist before, when I'd go to Asia, because dentist were actually really much cheaper. I am before all the British tooth jokes in the comments now. Do you have a schedule of, "Oh, it's been three months, or six months or something", to the dentist" My dentist emailed me. He was like, "Where are you?" Yeah. I think the say, when you're an adult, you should go, at least, two or three times a year. As for a check up. I don't fucking know. The good thing with the dentist, is that even if you don't have a cavity or you're not hurting anywhere, they'll at least just fucking clean your teeth for you. Fuck. I hated them cleaning my teeth though. Why was that drill so loud? The water pressure thing? watching. In Japan, it's horrible. To me, I think the worst feeling is getting a filling. I don't know- Have you got a filling before? Huh? I've gotten one before. And, I don't know, that experience as a kid just scarred me for life. I don't know what it is about just hearing the drill and just not being able to see what they are doing to your mouth. Do you want to, Do you want to see? Do you want a T.V? I don't know. I don't know what's scarier because- I need to see this in 4K. I think it can be arranged, actually. No. It's that feeling of when they hit your nerve ending for just a second. Ow. I feel that in my nightmares. Ever since I felt that as a kid the first time, that put me off going to the dentist ever again. The worst, for me, is when you hear the drill sound but it's deep in your ear, so it sounds like it's in your ear. I hate it because it just sounds like someone's just getting into your ear, like that. I had a night mold made. When you go to bed, you wear one of those plastic guards. Yeah. I've got that as well. Yeah. I've got that. I haven't worn it though, so that's good. You haven't worn it? Nah. I forgot to. Dentist will be proud of that. I know. Sorry, dentist. Fuck. My dentist speaks English, too. Fuck. I don't know. It was really annoying to sleep with for a long time. I couldn't sleep with it in. It was very uncomfortable. Yeah. It took me about a week to get used to. I woke up

Output:
- The group discussed the strong smell of chlorine in formaldehyde and compared it to the scent of a dentist's office.
- Participants shared their varying habits regarding dental visits, with some mentioning trips to Asia for cheaper care and others noting the annoyance of cleaning teeth.
- One speaker recounted a traumatic childhood experience involving a dental drill that scarred them for life and caused nightmares.
- The conversation shifted to the discomfort of wearing a night mold guard, with one person admitting they forgot to use it.
- Several speakers expressed strong dislike for the sound of the drill and the sensation of nerve endings being hit during procedures.
- The group noted that their dentists speak English, though the overall experience of dental care was described as generally unpleasant.


Input: the first punch, for sure, by sucker punching Fy'ra. But also, why was that my first reaction? I feel the blood and I can't even see it, and it's so sticky. It just feels really wrong and bad and I'm sitting there waiting for the Matron of Ravens to, I don't know, thank you, say something to me. But I need to do something other than make something bleed. So I hop over to Fy'ra, and I look at her and I take my hand and I slam it on her arm and I heal her with my Lay on Hands pool. Thank you. Amazing. I'll heal you for as much as you're damaged. That's a lot, are you sure? Is that 30? It's 31. It's fine, yeah. All right. Slick. Let's go. Yeah. What is 65 minus 31? Who could say? 34. 34. Name your names, you know? Name your names. That's going to live inside of my body in a really fun way. Name your names. It's a challenge. 31, right? It's an opportunity. Yeah. 31, okay. I'm going to say, I'm going to look at her and say, maybe you can bring this to a less bloody conclusion than I would. Then do I have another action? Because you're hasted. Because of my haste? Yeah. Man, I need to get some fucking Haste. Is that little spider fucker, is he near me? Yeah. Great. I'm going to stab him. Stabby stab, stab. Stabby, stab. Great. I'm going to stab-- That's her familiar. I don't care! Okay, I'm just saying. It's not Opal. It's not Opal, it's a spider. All I'm going to say, you can absolutely do it, but if you, watching, going off of your stated intent to find something other to do, than to make something bleed. Yeah. I will say you have an opportunity to commune with your deity. Oh, the Raven Queen. Yes. Or, right behind you is a big old dick of gems. Yeah. Well, I don't want to crush the gems. Right, crushing isn't the only option. You felt, again, as your foot passed over it you're like, "What magical shit is happening right here?" Okay, what do I with though? Wait, what do I do with it other than crush it? Could I have responded to her? Wear it. Sure, yeah. You turn to her, you're like, "What the fuck do I do with that dick of gems?" I will say, as you heal me, save some of it for Opal, we will need it. Get as many gems as you can. Okay. Okay. I'll hop, I'll go walk over to the gems. There's one literally right behind you. It's a matter of turning around. Oh, I can't see. Oh yeah, sorry. It's also on the screen-- You've got a little grouping right here behind you. -- over there if it helps. Okay. Then I'm going to reach down and try to grab them, I guess. You reach out and grab them and you pull them away from this sticky spider web. Yeah. As you take them into you and you hold them, and your intention here is to protect them? Yeah. Not break them. There is

Output:
*   The character healed Fy'ra using a Lay on Hands pool after realizing their initial violent reaction felt wrong.
*   The group discussed the healing amount, settling on 31 points of damage restored.
*   The character attempted to stab a spider familiar but was corrected that it belonged to another player.
*   The character was offered an opportunity to commune with the Raven Queen or interact with a cluster of gems behind them.
*   The character decided to protect the gems rather than crush them and successfully reached out to grab them from a sticky spider web.
*   The character was advised to save some healing resources for Opal while they secured the magical gems.


Input: and it's this. Well, don't fucking put it away. I got to put the box in there. But how do we do it right here? Yeah, we don't want to do it in the-- We can't do it here. We got to wait. Uh, look, give it to me. Cowards. I can hold it. No, you can't look at it before I finish. Oh, okay. I won't look. I won't look at it. The hole is like a rolled up beach towel, right? Isn't it a fabric? Yeah. We have to place it on the ground. You got to go (whooshes). I've watched Looney Toons. It's fine. It's fine. It's fine. I've worked with more. Do you want to put it in my body until you need it? (gags) (laughter) That's how-- Oh my god. You can store it in here for an hour or something. (laughter) I don't trust it. Just move the tongue out of the way. (laughter) That's fine. It's fine. I hate it so much. I got one hand. I'm good. No, no, no, no, no. We got it. We need to have your hands. Let's make a human shield real quick to hide it. All right, everybody. Is there a hidden area? Everybody huddle. We're going to make a circle? Everybody huddle like someone's getting changed. So not obvious at all. Come on. While we're huddling, I'm just looking around like oh god. He's watching us. Let's make a spectacle of ourselves. Okay, so you all huddle up in a circle and you place the material out on the ground. This is so stupid. It unfolds and there is a darkened expanse now between you. Close your eyes! I put it in. Drop. Oh shit! (clatters) Yeah (clatters) You hear (metal clanging) like some springs. It's fine! Okay, close it! Oh hey, wait! Can I put some stuff in there too? Wait, wait, wait! Can I put stuff in there too? Yeah, yeah, yeah, yeah! Okay. Okay, here. Wait. (laughter) Okay. All of our mugs. (grunts) Oh yeah, put it in my cup. Okay. Cup. It's going to break! They're clay. It rattles! (crashing) (laughter) No, it's a death trap. Done? Done? Are we done? Any more? Any more? Pick it up. Pick it up. Pick it up. Uh-huh. Fold it right back up. How many people were watching us do that? Yeah. Glancing around, two people. They're just like, and they go about their business. It's not a very crowded bazaar at the moment. That's right. Nothing worth dying over. (laughter) Never seen a pocket dimension before? (laughs) Let's just scan around, see what we see. Should we split up? Split up? I think it's small enough that if we split up, if someone just makes some noise, we should be able to hear. Hear everybody, right? Are we ever going to show Dusk what Treshi looks like? Is that something you can do? Yeah. I can't really create images. I can! Oh, I can. Oh, he can. Oh. Yeah. Little face of Armand Treshi. So you can see the long dark hair-- Help me, Dusk. You're

Output:
- The group debated the best location to deploy the object before deciding to create a human shield to hide their actions from passersby.
- Dorian insisted on placing the material on the ground while others huddled around to obscure the process, despite his initial reluctance and disgust.
- Once the object unfolded into a darkened expanse, Dorian accidentally dropped it, causing metal clanging sounds that startled the party.
- Erika and Elias attempted to store various items, including mugs and cups, inside the pocket dimension, which led to a crash and the realization that the clay items might break.
- After folding the material back up, the DM confirmed that only two people had noticed the activity, allowing the group to believe they were safe.
- The conversation shifted to the group's abilities to visualize Treshi, with Dorian, Cedric, and Erika discussing who could create an image for Dusk.


Input: neighborhood CR cast. That's us. uh uh Aria: At conventions like C2E2 and the New York Comic-con. The New York Comik-con. Stay tuned for more information about that later. 2025 is gonna be the biggest Critic year yet. And as always, Beacon members get early access to tickets. So strap in and strap on because... Aria: The dogs are Borlan: The adventure Gwen: The hits keep Marcus: We're just Marcus: Heating up! Dorian: We're just getting started. Aria: These dogs are off Gwen: The hits just keep Borlan: The adventure begins Dorian: We're just getting started. Marcus: Things are heating up Dorian: You guys. It has begin. thank you (bright music) (cheerful holiday music) NARRATOR M: We're here to tell you about the cosmos of Midst. NARRATOR S: A vast realm with glittering skies above, and spooky fathoms below, full of strange worlds and surreal potential. NARRATOR X: What's out there? M: What does it all mean? A supernatural ship and its remarkable crew. S: Capable of traversing the highest heights, the deepest depths, the beginning and end of the cosmos. M: We'll venture to fantastic worlds and hidden wonders within the far reaches of the known universe. X: Confronting transformative realizations at the very edges of reality and maybe even within their very selves. S: And we'll be there, too, narrating and stuff. M: We're the narrators. It's what we do. X: Will you join us? S: You can listen to new episodes of UNEND every Wednesday, anywhere you stream podcasts or through the Midst Podcast Youtube channel. M: And if you want to receive early, ad-free access to episodes and lore-expanding bonus content, join Beacon at Beacon.tv, beacome a Fold member on Midst.co, or subscribe through Spotify or Apple podcasts. watching (festival music) Hey Critters! Aria Kaelen here to guide you through what's new in the Critical Role shop. It's so cute, I can't handle it. Style should never be a dump stat, darling. Check it out. Look. It has pockets. Ooo so comfy cozy. Go ahead, darling. Treat yourself. I mean the Traveler always says, impulse purchases are a good decision. (gasp) Could anything be more perfect? This is a lot of stuff, you guys. We have so many cool things right now. And hey if you want, you could head over to the Critical Role shop right now. (mischievous music) (typewriter clacking) (peaceful music) Julian: Move the rook to B6. Dorian: Okay, see if that opens it. Aria: I'm trying it. uh uh (gasp) (cheering) Dorian: Okay, okay, okay, okay, okay. Wait, it's blank. There's nothing in here. What the hell? Marcus: The phonograph said that the answer would be in the journal. Julian: Oh, maybe we missed something, like some clue we're not thinking of! Aria: Ah, we only have four minutes left! Dorian: Okay, okay, think. Marcus: Okay. The song said, "Look to the beacon." Look to the-- Dorian: Right. Beacon. Light. Dorian and Aria: (gasp) The lightroom! Aria: Get it out. Dorian: Okay. Marcus: Oh, uh! Dorian: Uh-huh. Marcus: The cryptex! Aria and Dorian: (scream) Marcus: The key is in the cryptex! Aria and Dorian: We know! Aria: So if every other letter-- Dorian: Times two. Aria: -- is the combination-- Julian: Did you say times? Times, like a clock. It's in the clock! But how do you open it? Aria: (uncertain noise) Dorian: Okay. What is it? Aria: Okay, it's six. Dorian: Okay. Aria: Two. Four. Dorian: Yeah. Julian: 624? It's 6:24! Aria: Uh. Zero. [unlocking] Dorian: (gasp) Aria and Dorian: (excited noise) Marcus: Guys, guys, I think I found it! Julian: But it's

Output:
* The group discussed upcoming conventions and the Critical Role shop while Aria guided viewers through new merchandise.
* Julian instructed the team to move a rook to B6, prompting Dorian and Aria to investigate the resulting mechanism.
* Upon finding the space blank, the characters realized they needed to look to the beacon for a clue.
* The team identified the lightroom as the solution and located a cryptex containing the key.
* After analyzing the combination "times two" and the clock reference, they successfully entered the code 6:24 to unlock the device.
* Marcus announced that he had found the item, though Julian noted the situation was incomplete.


Input: gone. All right. I would much prefer if it was actually a leather thong that you had to put on in order to get the Mage Armor. You have not seen me with my clothes off yet. There are the groups that are talking and eating, there's the page currently engaging with the folks and the figure, there's a couple of servants passing around trays of food. What are the rest of you doing? You have retrieved your Frumpkin into your space. How do we prepare for this, Gwen? Well, I have no idea what we're going to face. Fighting monsters! We don't know that. That's what the guy said! We're fighting monsters. thank you. There's another clap and you see two other figures get pulled from the other side to join the conversation by the couch. Should we go find out what's going on over there? I don't think we can. I could sneaky-sneak over there and listen. Yeah, go for it. Can you give her some blessing-type of situation? Oh yes jibberish. I will cast Silent Image and I'm going to go up to the corner, make the image of a three-foot by three-foot box around me. You're going full Solid Snake here? I'm going to just watching. That's not noticeable at all. Okay, make your stealth check with advantage. Amazing. Stealth? You get advantage because of her blessing. Oh, wow. 19. Okay. You saunter up at a relatively close distance. Make a perception check if you're trying to listen in. Can I see through the box? Oh, it's a listening perception. Well, the box is an illusion. Four. Four. Fuck. You catch bits and pieces. Okay, what you hear is the page hurriedly saying, "--which skies "now darken Brokenveil, over 1000 dead, the Ashguard Garrison is taken." You hear this conversation a bit hush to hush, and a little bit of (shushing). Starosta peeks in a bit. You only catch the next bit which goes, "What's the king's response?" Then you hear the page respond and say, "--formally declared war on Kryn Dynasty and the wastes of Xhorhas." There's some more muttering. You miss that. You miss that. Oh no! You miss that. Secret warp zone to level eight, miss that. Yadaka pipes in and goes, "Starosta, to announce anything like that would set panic and "change nothing. We are far from the fight. For now, let them have a day to rejoice. We'll "announce tomorrow." You miss the next thing, you miss the next thing. The last thing you hear is the Starosta say, "I'll send word to General Grinbreaker and begin preparing her legion to move "east. Tomorrow we'll notify the public, but page, return word to Rexxentrum that Zadash prepares to "join the front. Now, go." The page turns and leaves. Still in box form, I am going to go back up to them. Okay. Hey guys, it's me. I'm in a box! Well, take it off. No, it's not a real box. I'll stick my hand through it. I heard everything! What's going down? There's an attack on Ashguard something. Oh! That's the garrison over by the-- Okay, thank you! The King said we're going to declare war on Xhorhas or something like that, I don't remember. Then there's 1000 dead! The skies were black--

Output:
- The group discussed preparations for an unknown threat while servants served food in the room.
- Marcus cast a Silent Image illusion to create a box around himself to stealthily eavesdrop on a nearby conversation.
- Despite receiving a blessing from Gwen that granted advantage, Marcus failed his perception check with a roll of four.
- He managed to catch fragments of a report stating that Brokenveil was darkened, the Ashguard Garrison was taken, and over 1000 people had died.
- The conversation revealed that the King had formally declared war on the Kryn Dynasty and the wastes of Xhorhas.
- Starosta ordered the page to send word to General Grinbreaker and prepare the legion to move east, while Marcus returned to his friends to share the dire news.


Input: to make constitution saving throws, please. And Silas has a d4 for this. You so blessed. Constitution saves? Correct. 16. 16, nice. 25. Nice. 12. 12, okay. You both succeed, because everyone rolls really fucking high on the things I want to try and do. Thank you. Beauregard does not. Beauregard is restrained once again. No, Silas. Wow. Does that cause damage or-- It just restrains her. She's restrained for now, and then-- You guys have some fucking luck on your side, I swear to god. It doesn't feel like it. Some good tactics and some luck. All righty, that brings us to-- Gets those legendary actions back at the end of his turn. Clara, you're up. Okay, I'm going to attack... Okay, 26. 26 hits. Okay, first attack. I'm shaking. um, watch. Kill him! Wait, I'm going to roll it again, Savage Attack. You can do that. 10, that's better. 15, 18. 28 points of damage for the first hit. 28, wow, nice! Yeah, still good? Yeah, it's still standing. Okay. Fuck. I can't count right now. 21. 21 hits. Yes! Okay. I'm going to roll again. That's better. Six. 14 points of damage. 14 point of damage, all right. Ugh, he's still going. All right. You swing twice across it. You see one of its eyes is starting to close a bit on one side. Come on. He's getting rough, he's getting rough. Bullshit, man. You do take seven points of poison damage and 11 points points damage. 18. From both of those strikes. Oof! Ooh! Ooh! Yep. I'm looking rough. All right, end of your turn? Hey, if we're still alive after this, let's go to sleep. As a bonus action, I'm going to-- If we can. -- Healing Hands on myself. Is it a bonus action or-- No, it's not. I am lying, I'm not doing that, I'm not doing anything I'm standing there looking at the bull. End of your turn, it's going to use a legendary action to do a hoof attack you. Okay. 18 to hit, does that hit? Yeah. That hits. But half damage. Yeah. Half damage if it's bludgeoning. So 20 points of bludgeoning damage, reduced to 10 because you're raging. 10, yeah. All righty. That finishes this turn. Beauregard, you're up. You are restrained, so you cannot move. Am I within 20 feet of him? You are within 20 feet, yeah. All right, I shouldn't do this. But maybe we'll sleep. I'm going to-- Attack Sarah. Punch the waves beneath me as my feet are starting to become fused with the sand and I'm going to use that kinetic energy of the wave to ignite my fists, my lightning gloves. Awesome. And-- Is it a bonus action to trigger those, or is it the... It's-- Been one week. "At the start of your turn," you can channel atmospheric electric energy-- Okay, cool. So at the start of your turn. You got it. All right, you got it. "-- to extend my reach "for one minute." So that's what I am doing. Okay, go for it. Pop pop.

Output:
- The players successfully rolled high numbers for their constitution saving throws, though Beauregard failed and became restrained again.
- Gwen attacked the enemy with high damage rolls, though she struggled with counting her own damage points during the exchange.
- The party took poison and bludgeoning damage from the enemy's strikes, with Gwen's rage reducing the bludgeoning impact.
- Beauregard remained restrained and unable to move, prompting Sarah to attempt an action while fused with the sand.
- Sarah utilized her kinetic energy and lightning gloves to extend her reach for the duration of the turn.
- The turn concluded with the enemy using a legendary action to attack Gwen, who took reduced damage due to her raging state.


Input: leads you all along the right hand side of the wall. The guards notice you all with a curious expression, a look of acknowledging your presence, but without recognition, and that shifts into mistrust. As you all walk past, you can see one of the guards stays put. The other one begins to follow, and Seth goes, "All right, I think we are being followed. "Follow me into this alley," and ducks into the alley. As you all enter, as soon as you all step into the shadows, he goes, "All right, now!" He goes ahead and releases his incantation, and I believe it would be himself, you, you, and you all vanish with his incantation. That's those four. Gwen: So I'll cast it at a 3rd-level, so I can get me and Sarah, I guess. DM: Okay. Both of you can turn invisible as well? Borlan: I turn into a werewolf and rush the guard. DM: Great. Okay. Gwen: No, you don't. DM: Roll initiative. (laughter) Borlan: I take all my clothes off and turn invisible. DM: Okay. (laughs) Silas: Turn invisible, then take all your clothes off. Borlan: Oh, I always forget I don't have to do that! (laughter) Aria: Chet, why are you taking off your clothes? ROBBIE: You don't have to, but-- Derek: You know this. You're just an exhibitionist. DM: You immediately hear Seth's voice say, "All right. "Stick against the walls. Hold your breath." Gwen: Damn it. ROBBIE: (deep inhale) DM: You all go to the sides of the alley here and you see the guard rush up to the edge. "(frustrated huffing)" I'd like to have everyone here make a group stealth check. Gwen: (squeaking) DM: It isn't a very high DC. Marcus: At advantage, because invisible, yeah? DM: Yes, this would be with advantage. Silas: I was going to say-- Oh, with advantage. DM: Yes. Derek: All of us? Silas: No, it just means that Rowan and I don't have advantage, we're just rolling straight. DM: Correct. Silas: Although, is it okay if I cast Pass Without a Trace on us anyway? Gwen: Oh! Derek: We cool. ROBBIE: No! Derek: It cool, it cool. DM: You can, but it'll drop invisibility. Silas: Oh, on me? DM: Yeah. Derek: Yeah, you know-- Yeah. Silas: Oh, okay, um, never mind then. DM: Because it's considered casting a spell, and when you cast a spell, it breaks invisibility. Borlan: What are you doing? Silas: Okay, I didn't know I was-- Okay, that's fair. All right. Derek: I don't know why I'm like this. ROBBIE: Is that with advantage? Gwen: Did you-- Derek: Yes, there's two! ROBBIE: I see them. I'm looking at them right now. Borlan: Pretty close to it, though. DM: All righty, from this side. Derek: There's two! Borlan: 25. DM: 25. Derek: 10. DM: All righty. ROBBIE: 15. DM: All righty. Aria: Natural one. ROBBIE: No! Borlan: Fucking-- Gwen: Natural 20. DM: Ooh. Borlan: There we go, negated. Aria: Okay, cancels it out. Marcus: Dirty 20. DM: Okay. Silas: 22. Borlan: All right! DM: Okay! Wow, we got a spectrum there. ROBBIE: Clompers. Borlan: DM? Silas: We lost our advantage-- Borlan: When the guards come up and we're all invisible, remembering that we can't really see each other and we don't have to mind meld-- Silas: You just have to roll-- Gwen: The one. Borlan: Can I take out the Monocle of True Essence, in my invisible form, and pop it in, and I'll cast See Invisibility so I can see? ROBBIE: Mm. DM: You can. In casting a spell, you will drop

Output:
*   The group was followed by guards and entered an alley where Seth cast an incantation to make four of them invisible.
*   Borlan attempted to turn into a werewolf and later took off his clothes while invisible, which the group found amusing.
*   The DM instructed everyone to make a group stealth check against the approaching guards.
*   Silas asked to cast Pass Without a Trace, but was informed that casting the spell would break his invisibility.
*   Players rolled initiative with mixed results, including a natural one, a natural twenty, and a dirty twenty.
*   Borlan inquired about using a Monocle of True Essence to see while invisible, and the DM confirmed the action was possible but would drop invisibility.


Input: Run with the bulls! The Shrike's going to run and leap over this high fence. H'yah! They have 40 feet of movement. Yeah, they can get there. They're going to rush up to you, Fiona. Oh, and one last detail. My Hex will give her a disadvantage on dexterity checks. So now you're covering strength and dex checks. So now we know that. Nice. Good to know. Okay. Are you still hanging onto her head? Yeah. Mm-hmm. Okay. She ain't going anywhere. This Shrike is going to dart up-- Just doing this into her. Oh no, they're surrounding Fiona. If they miss Fiona, they'll hit the Willmaster, though. Maybe Fiona can use the Willmaster's Meat Shield. All right, so because they have you pincered, they have advantage on the strikes. Yeah, sure. The-- Meat Shields, sheet shields. All right, so they're going full in arm blade on you. Also, I'll give you advantage from Silvery Barbs. Also, I'll give you advantage from Silvery Barbs. On the save? On the next roll he gets, you mean? On-- I mean, they're rolling to hit my AC. Hang on. What is it? You're giving DM advantage? I keep reading to see whether there is anything else I can fucking do. You have advantage on the next attack roll, ability check, or saving throw within one minute. Okay. Okay. So the first strike from the guy on the left here is going to be 20? Yep. Okay. So with that, you take, for the arm blade over there, 16 points of slashing damage. Got it. Second strike. Not great, 15. No, miss. Last one, that's going to be a 22. That hits. Okay, and that one's going to be-- Crawled out of the way like a spider monkey for the second. -- 18 points of slashing damage. Okay. Oof. The other one is going to now open up on its attacks. First one is going to be, that's another 20. Hits, yeah. Shit. Ooh, that's going to be 19 points of slashing damage. Oof. Next one, that's going to be a 21. Hits. Jesus. That's going to be a 24 points of slashing damage. Okay. Oh my gosh. Then their last strike is going to be natural 19. Yeah. Hits. Hits you. That one's going to be 15 points of slashing damage. Okay. He's doing better than you might think. Mm-hmm. That's real bad. Now there's another Shrike? Then they're going to use their bonus action. One of them is going to look at you, and a bonus action is going to use Mind Blur. Aw, fuck. They just disappear from your sight. Oh, cool! You watch them. They put a hand up and all of a sudden, they're gone. Ah, fuck me. Amazing. Silas! The other one is going to glance over in your direction too, after seeing what you did to the Willmaster and is going to do the same thing. So, both of them phase out of your eyesight. I can still see-- You can see him, yeah. Perfect. But yeah. I

Output:
- The Shrike creatures rushed toward Fiona and attempted to leap over a high fence, utilizing 40 feet of movement.
- Kaelen applied a Hex spell to impose disadvantage on Fiona's dexterity checks, while Lyra granted advantage via Silvery Barbs.
- Kaelen was hit by multiple arm blade strikes from the Shrikes, taking significant slashing damage totaling over 70 points.
- Derek expressed frustration as Kaelen's character was overwhelmed by the attacks, resulting in several critical hits.
- The Shrikes used their bonus actions to cast Mind Blur, causing them to phase out of the players' sight.
- A second Shrike joined the fray and also phased out of sight after interacting with the Willmaster.